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Traços do Gótico, da brasilidade e do neofantástico em três contos do escritor Gastão Cruls
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Resumo(s)
O romance Frankenstein ou o Prometeu Moderno, escrito por Mary W. Shelley e publicado originalmente em 1818, tornou-se numa das obras basilares do imaginário gótico-fantástico, graças a inúmeras versões deste relato, quer no continente europeu, quer no continente americano, tanto na literatura, como no cinema e no teatro. A presente dissertação tem como objetivo refletir sobre o modo como, em três dos contos, “Noites brancas”(1920), “No embalo da rede”(1923) e “O Espelho”(1938),o autor de vanguarda Gastão Cruls traz a brasilidade ao Gótico e se apresenta como precursor brasileiro do Neofantástico. Partindo da premissa de que o texto literário crulsiano ainda está a ser descoberto no meio académico europeu, este trabalho analisa os mecanismos literários com os quais Gastão Cruls desencadeia reações de medo, pasmo, suspense, insólito ou logro no leitor.
The novel Frankenstein, or The Modern Prometheus, written by Mary W. Shelley, and originally published in 1818, has become one of the most influential works in the Gothic-Fantastic imaginary, mainly for the many versions of this story, both in Europe and in America, in literature and cinema, as well as in drama. This investigation aims to analyze the means how, in three short stories, the avant-garde author, Gastão Cruls, brings Brasility to the Gothic and may be considered as a predecessor of Neo-fantastic. Assuming that the literary text from Cruls is still being discovered and it is still to be studied in Europe, this dissertation analyzes the literary mechanisms with which Gastão Cruls creates reactions of fear, astonishment, suspense, unusual, or deceive in the reader.
The novel Frankenstein, or The Modern Prometheus, written by Mary W. Shelley, and originally published in 1818, has become one of the most influential works in the Gothic-Fantastic imaginary, mainly for the many versions of this story, both in Europe and in America, in literature and cinema, as well as in drama. This investigation aims to analyze the means how, in three short stories, the avant-garde author, Gastão Cruls, brings Brasility to the Gothic and may be considered as a predecessor of Neo-fantastic. Assuming that the literary text from Cruls is still being discovered and it is still to be studied in Europe, this dissertation analyzes the literary mechanisms with which Gastão Cruls creates reactions of fear, astonishment, suspense, unusual, or deceive in the reader.
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Palavras-chave
Gastão Cruls Literatura brasileira Monstro Conto Gótico Neofantástico Monster Short story Gothic Neo-fantastic