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Uma Cenografia de Exposição Itinerante no Teatro MaizUm, «Jorge Ferreira de Vasconcelos, Um Homem do Renascimento»
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Este relatório de estágio consiste na busca de algumas respostas a questões direcionadas para a Cenografia, mais especificamente para a cenografia de Exposições. As questões passam por, qual a diferença entre cenografia e cenografia de exposições? Quais as melhores opções a nível cenográfico, no que diz respeito às exposições? Quais os cuidados específicos a ter em conta, na criação de uma exposição itinerante e na cenografia da mesma? Em que consiste o planeamento de uma exposição itinerante?
Para ir ao encontro dessas respostas, durante três meses, estagiei no Grupo de Teatro Maizum, no qual pude explorar e refletir sobre as questões já referidas, e colocar novas questões.
This work, an internship report, consists of a search for some answers focused on the scenography field of study, regarding specifically the Exhibitions scenography field. To address those questions an internship took place for three months at the Teatro Maizum where some pertinent issues were explored and reflected upon. What is the difference between set design or stage scenography and the specific scenography for an exhibition? What are the best scenography options for exhibitions? What specific cautions should be taken into account when creating an itinerant exhibition and its scenography? What is the planning of an itinerant exhibition? Other issues arose such as the conventional role of the architect or set designer in the final results in this type of creation. Thus this report will attempt to give some indications for future studies on Exhibition Scenography as well as raising new and pertinent interrogations in this field of study
This work, an internship report, consists of a search for some answers focused on the scenography field of study, regarding specifically the Exhibitions scenography field. To address those questions an internship took place for three months at the Teatro Maizum where some pertinent issues were explored and reflected upon. What is the difference between set design or stage scenography and the specific scenography for an exhibition? What are the best scenography options for exhibitions? What specific cautions should be taken into account when creating an itinerant exhibition and its scenography? What is the planning of an itinerant exhibition? Other issues arose such as the conventional role of the architect or set designer in the final results in this type of creation. Thus this report will attempt to give some indications for future studies on Exhibition Scenography as well as raising new and pertinent interrogations in this field of study
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Teatro Maizum Cenografia Jorge Ferreira de Vasconcelos Cenografia de exposição Exposições Scenography Exhibitions Exhibition scenography