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Publicação
POTENCIALIDADES DAS FERRAMENTAS DIGITAIS APLICADAS AO PATRIMÓNIO CULTURAL QUATRO CERÂMICAS ARQUEOLÓGICAS DO CONVENTO DE JESUS (SETÚBAL)
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Orientador(es)
Resumo(s)
O "restauro digital" é uma ferramenta que permite a criação de modelos digitais 3D do
património cultural, e que tem tido atualmente um grande desenvolvimento no campo da
conservação e restauro. Esta ferramenta apresenta inúmeras vantagens, quer pelo seu poten-
cial expositivo e de divulgação da arte e cultura material, quer pela possibilidade de simulação
no contexto de restauro.
O Convento de Jesus, em Setúbal tem um vasto espólio cerâmico, na ordem dos milhares
de fragmentos, que pela sua grandeza se torna difícil de conhecer, partilhar e tratar, e que, por
isso, ficam, na maior parte dos casos, condenados às reservas. Assim, com esta dissertação
tentaram explorar-se as potencialidades das ferramentas digitais neste campo, com intuito de
percecionar as vantagens do "restauro digital" e conseguir dar resposta às dificuldades de tra-
tamento e de exposição das grandes coleções.
Foram eleitos quatro casos de estudo deste convento: um prato grande, um prato cane-
lado, um pote e uma taça, que levantavam problemáticas de conservação diferentes relativa-
mente à forma e às dimensões. Todos os casos de estudo possuíam uma grande área lacunar,
possivelmente derivado do seu contexto arqueológico. Os fragmentos pertencentes a estas
peças foram digitalizados e procedeu-se ao "restauro digital" e material (ou tradicional) dos
mesmos, com o intuito comparar estas duas abordagens e perceber de que forma é que po-
dem também ser trabalhadas em conjunto e de forma complementar.
Em paralelo, explorou-se ainda o papel do conservador-restaurador no processo de di-
gitalizações de coleções, e do uso das ferramentas digitais no contexto do património cultural.
Os resultados alcançados salientaram a importância do uso das novas tecnologias digi-
tais para contextos como o do Convento de Jesus e os casos de estudo ajudaram à perceção
dos desafios e oportunidades nas duas vertentes de intervenção - material e digital - utilizadas.
Digital restoration is a tool that allows the creation of 3D models of cultural heritage and has currently undergone a great development in the field of conservation and restoration. This tool has numerous advantages, both for its potential for exhibitions and the dissemination of art, as well as for the possibility of simulation in the context of restoration. The Convent of Jesus in Setúbal has a large collection of ceramics, in the order of thou- sands, which, due to their size, are difficult to get to know, share and deal with. With this dis- sertation, we have tried to explore the potential of digital tools in this field, with the aim of realizing their advantages and being able to respond to the challenges associated with large collections. Four case studies were chosen from the convent: a large plate, a corrugated plate, a pot, and a bowl, which raised different issues in terms of shape and size. These fragments all had in common a large area of gap, possibly due to their archaeological context. They were all scanned and restored digitally and materially. The objective is understanding the differences between these two approaches in a concrete way, and to know how they can work together in a complementary way. At the same time, the role of the conservator in the digital process was explored, as was the use of digital tools in the context of cultural heritage. The results emphasized the importance of using technology in contexts such as the Con- vent of Jesus and the case studies helped us realize the challenges and opportunities in the two areas of intervention - material and digital.
Digital restoration is a tool that allows the creation of 3D models of cultural heritage and has currently undergone a great development in the field of conservation and restoration. This tool has numerous advantages, both for its potential for exhibitions and the dissemination of art, as well as for the possibility of simulation in the context of restoration. The Convent of Jesus in Setúbal has a large collection of ceramics, in the order of thou- sands, which, due to their size, are difficult to get to know, share and deal with. With this dis- sertation, we have tried to explore the potential of digital tools in this field, with the aim of realizing their advantages and being able to respond to the challenges associated with large collections. Four case studies were chosen from the convent: a large plate, a corrugated plate, a pot, and a bowl, which raised different issues in terms of shape and size. These fragments all had in common a large area of gap, possibly due to their archaeological context. They were all scanned and restored digitally and materially. The objective is understanding the differences between these two approaches in a concrete way, and to know how they can work together in a complementary way. At the same time, the role of the conservator in the digital process was explored, as was the use of digital tools in the context of cultural heritage. The results emphasized the importance of using technology in contexts such as the Con- vent of Jesus and the case studies helped us realize the challenges and opportunities in the two areas of intervention - material and digital.
Descrição
Palavras-chave
3D restauro digital cerâmica arqueológica faiança