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Mistura e produção de Música Africana
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Este relatório de estágio refere-se à prática de mistura e produção de música africana. O estágio foi realizado nos estúdios de gravação da editora Klasszik, no concelho de Sintra, durante o ano letivo de 2020/2021, no contexto do mestrado em Artes Musicais, na Faculdade de Ciências Sociais e Humanas (FCSH) da Universidade Nova de Lisboa, sob a orientação científica do docente, doutor Rui Pereira Jorge e, no local de estágio da Coordenadora de projetos e membro do enquadramento. da funcionária da Klasszik, Cindy Peixoto. O referido relatório descreve as experiências vivenciadas por mim nos estúdios, tendo como principal função desenvolvida a assistência de mistura e produção de música africana. A escolha do tema baseia-se numa pretensão pessoal em ampliar os conhecimentos e desenvolver as minhas capacidades enquanto músico, produtor e percussionista, de forma a ter uma noção prática e detalhada das etapas de trabalhos relacionadas com a mistura e produção. Por outro lado, tratando-se de uma dimensão educativa e opcional para a obtenção do grau de mestrado em Artes Musicais, esta possibilidade de estágio torna-se mais viável para estar em contacto direto com o ambiente de estúdio, colocando em prática os conteúdos ministrados nas salas de aula da faculdade. Neste sentido, para além de presenciar a realização dos trabalhos pessoalmente, tive a oportunidade de participar na realização dos mesmos, manusear os instrumentos musicais, equipamentos do estúdio e softwares, captar e misturar vozes e instrumentos, trabalhar com os diversos efeitos existentes nas mesas de misturas e nos programas de captação de áudio, bem como, a criação de ritmos mais destacados da música africana.
This internship report refers to the practice of mixing and producing African music. The internship was carried out in the recording studios of the publishing house Klasszik, located in the municipality of Sintra, during the academic year 2020/2021, in the context of the Master's Degree in Musical Arts, at the Faculty of Social and Human Sciences (FCSH) of Universidade Nova de Lisboa under the scientific guidance of professor Rui Pereira Jorge and, in the internship place of the Project Coordinator and member of the framework. Klasszik employee Cindy Peixoto. This report describes the experiences I had in the studios, having as main function developed assistance in mixing and producing African music. The choice of theme is based on a personal intention to expand my knowledge and develop my skills as a musician, producer and percussionist, in order to have a practical and detailed notion of the stages of work related to mixing and production. On the other hand, as it is an educational and optional measure for obtaining a Master's degree in Musical Arts, this possibility of internship becomes more viable to be in direct contact with the studio environment, putting into practice the contents taught. in college classrooms. In this sense, in addition to witnessing the work being carried out in person, I will have the opportunity to participate in the realization of the same, handling musical instruments, studio equipment and software, capturing and mixing voices and instruments, working with the various effects existing on the mixing desks. and in the audio capture programs, as well as the creation of the most outstanding rhythms of African music.
This internship report refers to the practice of mixing and producing African music. The internship was carried out in the recording studios of the publishing house Klasszik, located in the municipality of Sintra, during the academic year 2020/2021, in the context of the Master's Degree in Musical Arts, at the Faculty of Social and Human Sciences (FCSH) of Universidade Nova de Lisboa under the scientific guidance of professor Rui Pereira Jorge and, in the internship place of the Project Coordinator and member of the framework. Klasszik employee Cindy Peixoto. This report describes the experiences I had in the studios, having as main function developed assistance in mixing and producing African music. The choice of theme is based on a personal intention to expand my knowledge and develop my skills as a musician, producer and percussionist, in order to have a practical and detailed notion of the stages of work related to mixing and production. On the other hand, as it is an educational and optional measure for obtaining a Master's degree in Musical Arts, this possibility of internship becomes more viable to be in direct contact with the studio environment, putting into practice the contents taught. in college classrooms. In this sense, in addition to witnessing the work being carried out in person, I will have the opportunity to participate in the realization of the same, handling musical instruments, studio equipment and software, capturing and mixing voices and instruments, working with the various effects existing on the mixing desks. and in the audio capture programs, as well as the creation of the most outstanding rhythms of African music.
Descrição
Palavras-chave
Produção de estúdio Gravação de estúdio Instrumentos musicais africanos Studio production Studio recording African musical instruments