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Fernando Pessoa ou a consciência do impossível
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Esta tese tem como ponto de partida o poema Autopsicografia de Fernando Pessoa. Na primeira parte deste trabalho, demonstramos que as figuras literárias iniciais criadas pelo autor são fundamentais na evolução da conceção pessoana da realidade. A segunda parte dedica-se à leitura do poema Autopsicografia como uma visão estética e filosófica de Pessoa sobre a transposição do real para a poesia. Na terceira parte, explora-se a dicotomia entre realidade e sonho no pensamento do poeta, com enfoque especial na leitura do Livro do Desassossego. Conclui-se que as figuras literárias iniciais são decisivas na evolução do pensamento pessoano, reconhecendo o papel determinante de Autopsicografia na forma como o poeta concebe a criação poética e evidenciandose a impossibilidade pessoana de conciliar realidade e sonho.
This thesis took as its starting point Fernando Pessoa’s poem Autopsychography. In the first part of this study, we demonstrate that the initial literary figures created by the author are fundamental to the evolution of Pessoa’s conception of reality. The second part is devoted to an interpretation of Autopsychography as an aesthetic and philosophical vision through which Pessoa articulates the transposition of reality into poetry. The third part explores the dichotomy between reality and dream in the poet’s thought, with particular emphasis on a reading of The Book of Disquiet. The conclusion reached is that Pessoa’s early literary figures play a decisive role in the development of his philosophical outlook, underscoring the determining influence of Autopsychography on his conception of poetic creation, while also highlighting Pessoa’s inability to reconcile reality and dream.
This thesis took as its starting point Fernando Pessoa’s poem Autopsychography. In the first part of this study, we demonstrate that the initial literary figures created by the author are fundamental to the evolution of Pessoa’s conception of reality. The second part is devoted to an interpretation of Autopsychography as an aesthetic and philosophical vision through which Pessoa articulates the transposition of reality into poetry. The third part explores the dichotomy between reality and dream in the poet’s thought, with particular emphasis on a reading of The Book of Disquiet. The conclusion reached is that Pessoa’s early literary figures play a decisive role in the development of his philosophical outlook, underscoring the determining influence of Autopsychography on his conception of poetic creation, while also highlighting Pessoa’s inability to reconcile reality and dream.
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Fernando Pessoa Autopsicografia Livro do Desassossego Realidade Sonho Heteronímia Impossibilidade Autopsychography The Book of Disquiet Reality Dream Heteronymy Impossibility