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Redescobertas - Um regresso a Portugal através da paisagem do Cinema
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Redescobertas - Um regresso a Portugal através da paisagem do Cinema funciona como uma Memória de Projeto do exercício O Cinema de três lugares. A visita de espaços onde outrora foram realizadas obras cinematográficas servirá como um ponto de partida para abordar a paisagem litoral de Portugal no Cinema português, argumentando que naquela se encontram possibilidades de configuração de um olhar crítico (histórico, sociológico e político) sobre os lugares filmados. Argumentaremos que certas localidades de certos filmes, pela maneira como adquirem contornos psicológicos e metafóricos na teia narrativa, escondem chaves de leitura das mesmas obras.
Por se tratar de um país com uma vasta orla costeira, o Mar e a Costa assumem um papel fundamental numa pesquisa em que pretendemos refletir acerca da construção da paisagem do litoral. Momentos marcantes na história de Portugal foram encontrando nas mais diversas representações artísticas do litoral um enorme relevo figurativo e/ou simbólico. No caso do Cinema, a transformação desses espaços naturais adquire uma dimensão mais profunda, na qual se interroga o modo como o olhar, o pensamento e o conhecimento do espetador são afetados.
Assim, esta Memória de Projeto dividir-se-á em três capítulos, correspondentes a cada um dos espaços fílmicos estudados e filmados no exercício O Cinema de três lugares, e as diferentes nuances, experiências, desafios, sensações e momentos de introspeção que neles surgem. Nazaré, Praia de Pescadores (1929), de José Leitão de Barros, Mudar de Vida (1966), de Paulo Rocha e A Almadraba Atuneira (1961), de António Campos, serão os filmes em análise, onde existe um referencial comum e incontornável: o Mar. Cada uma das três partes irá tratar temáticas distinstas, intrínsecas à realidade de cada lugar e cada obra, sendo que o ponto de partida para esta viagem será sempre o mesmo, o regresso físico a uma paisagem somente visitada através do Cinema.
Rediscoveries – A return to Portugal through the the landscape of Cinema works as a Memory of Projetc of the exercise The Cinema of three places. The visit to places where once were directed films will work as a starting point to address the seaside landscape of Portugal in Portuguese Cinema, arguing that in it there are possibilities of configuration of a critical eye (historic, sociological and political) about the places that were filmed. We will argue that certain locations of certain films, through the way they acquire psychological and metaphoric outlines in the narrative, hide keys to interpretation of those same works. Because it is a country with a large coastal zone, the Sea and the Coast assume a key role in a research in which we intend to think about the construction of the seaside landscape. Remarkable moments in Portuguese history have found in different artistic representations of the seaside enormous figurative and/or symbolic relevancy. In Cinemas case, the transformation of those natural spaces acquires a deeper dimension, in which is asked the way the look, the thought and knowledge of the spectator are affected. Thus, this Memory of Project will be divided in three chapters corresponding to each of the film spaces studied and filmed in the exercise The Cinema of three places, and the different nuances, experiments, challenges, feelings and introspection moments that come. Nazaré, Praia de Pescadores (1929), by José Leitão de Barros, Mudar de Vida (1966), by Paulo Rocha and A Almadraba Atuneira (1961), by António Campos will be the films in analysis, with the Sea being the common and unavoidable benchmark. Each of the three parts will approach different themes, inherent to the reality of each place and each film, with the starting point being always the same, the physical return to a landscape only visited through Cinema.
Rediscoveries – A return to Portugal through the the landscape of Cinema works as a Memory of Projetc of the exercise The Cinema of three places. The visit to places where once were directed films will work as a starting point to address the seaside landscape of Portugal in Portuguese Cinema, arguing that in it there are possibilities of configuration of a critical eye (historic, sociological and political) about the places that were filmed. We will argue that certain locations of certain films, through the way they acquire psychological and metaphoric outlines in the narrative, hide keys to interpretation of those same works. Because it is a country with a large coastal zone, the Sea and the Coast assume a key role in a research in which we intend to think about the construction of the seaside landscape. Remarkable moments in Portuguese history have found in different artistic representations of the seaside enormous figurative and/or symbolic relevancy. In Cinemas case, the transformation of those natural spaces acquires a deeper dimension, in which is asked the way the look, the thought and knowledge of the spectator are affected. Thus, this Memory of Project will be divided in three chapters corresponding to each of the film spaces studied and filmed in the exercise The Cinema of three places, and the different nuances, experiments, challenges, feelings and introspection moments that come. Nazaré, Praia de Pescadores (1929), by José Leitão de Barros, Mudar de Vida (1966), by Paulo Rocha and A Almadraba Atuneira (1961), by António Campos will be the films in analysis, with the Sea being the common and unavoidable benchmark. Each of the three parts will approach different themes, inherent to the reality of each place and each film, with the starting point being always the same, the physical return to a landscape only visited through Cinema.
Descrição
Palavras-chave
Paisagem Cinema Regresso Mar Olhar Landscape Cinema Return Sea Gaze