A carregar...
Publicação
A Cobertura de Música em Portugal: O caso da Time Out Lisboa
| Nome: | Descrição: | Tamanho: | Formato: | |
|---|---|---|---|---|
| 1.67 MB | Adobe PDF |
Autores
Orientador(es)
Resumo(s)
O presente relatório de estágio visa analisar a cobertura jornalística de música no contexto português, a partir do caso da Time Out Lisboa. A pertinência desta investigação prende-se, por um lado, com a relevância social do jornalismo cultural, e, por outro, com o facto de abordar um tema pouco estudado na realidade académica portuguesa. Através de uma metodologia mista, com recurso a uma análise de conteúdo a 119 peças do website da publicação e a um conjunto de entrevistas semiestruturadas, procura-se compreender as especificidades do jornalismo musical neste ambiente, problematizando o lugar que a música ocupa nas redações, com particular incidência na forma como a música é representada, valorizada e difundida no ecossistema mediático, e as opções editoriais seguidas pelos profissionais da área. Tentar-se-á compreender como a Time Out trata o tema da música, percebendo as opções editoriais em que assenta a estratégia da publicação. É feita uma enumeração das atividades desenvolvidas durante o estágio, seguida de um enquadramento teórico baseado numa revisão da literatura sobre jornalismo cultural, que parte das múltiplas definições de cultura e aborda o enquadramento teórico do jornalismo musical, incluindo a sua evolução na era digital. Posteriormente, apresenta-se uma análise de conteúdos que procura responder às questões previamente formuladas, confrontando-as com os principais estudos empíricos existentes na área. Os resultados apontam para uma cobertura predominantemente à base de notícias, cumpridora de uma função de agenda, que elege o Rock, o Pop e o Indie/Alternativa como géneros com maior destaque. A maioria das peças analisadas incide sobre artistas de nacionalidade portuguesa e do género masculino, com os entrevistados a referirem constrangimentos editoriais e de recursos como obstáculos a uma cobertura mais ampla e plural.
This internship report aims to analyze music journalism coverage in the portuguese context, focusing on the case of Time Out Lisboa. The relevance of this research lies both in the social importance of cultural journalism and in the fact that it addresses a topic that has been little studied in the portuguese academic field. Employing a mixed-methods approach—combining content analysis of 119 articles from the publication’s website with a series of semi-structured interviews—the study seeks to understand the specificities of music journalism in this environment. It examines the role music plays in newsrooms, with a particular focus on how music is represented, valued, and disseminated within the media ecosystem, as well as the editorial decisions guiding that coverage. This work seeks to understand how Time Out approaches the topic of music, identifying the editorial choices that shape the publication’s strategy. It begins with a detailed enumeration of the activities undertaken during the internship, followed by a comprehensive theoretical framework grounded in a literature review on cultural journalism. This framework explores the multiple definitions of culture and situates the theoretical context of music journalism, including its development in the digital age. Subsequently, a content analysis is conducted to address the research questions previously formulated, situating the findings within the context of key empirical studies in the field. The results point to a predominantly news-based coverage, fulfilling an agenda-setting role, with Rock, Pop, and Indie/Alternative as the most featured genres. Most of the articles focus on portuguese male artists, with interviewees citing editorial and resource constraints as limiting factors to broader and more diverse coverage.
This internship report aims to analyze music journalism coverage in the portuguese context, focusing on the case of Time Out Lisboa. The relevance of this research lies both in the social importance of cultural journalism and in the fact that it addresses a topic that has been little studied in the portuguese academic field. Employing a mixed-methods approach—combining content analysis of 119 articles from the publication’s website with a series of semi-structured interviews—the study seeks to understand the specificities of music journalism in this environment. It examines the role music plays in newsrooms, with a particular focus on how music is represented, valued, and disseminated within the media ecosystem, as well as the editorial decisions guiding that coverage. This work seeks to understand how Time Out approaches the topic of music, identifying the editorial choices that shape the publication’s strategy. It begins with a detailed enumeration of the activities undertaken during the internship, followed by a comprehensive theoretical framework grounded in a literature review on cultural journalism. This framework explores the multiple definitions of culture and situates the theoretical context of music journalism, including its development in the digital age. Subsequently, a content analysis is conducted to address the research questions previously formulated, situating the findings within the context of key empirical studies in the field. The results point to a predominantly news-based coverage, fulfilling an agenda-setting role, with Rock, Pop, and Indie/Alternative as the most featured genres. Most of the articles focus on portuguese male artists, with interviewees citing editorial and resource constraints as limiting factors to broader and more diverse coverage.
Descrição
Versão corrigida e melhorada após a sua defesa pública.
Palavras-chave
Jornalismo Cultura Música Crítica Online Journalism Culture Music Review