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O Retrato/Autorretrato na obra de Aurélia de Sousa(1866-1922) e Elena Kiseleva(1878-1974)
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Esta dissertação procura, a partir da observação e análise das obras retratistas de duas
pintoras contemporâneas, criar um fundamento para a defesa da seguinte tese – que o
retrato/autorretrato é o género mais filosófico das artes plásticas e que ocupa uma
posição central no domínio destas. A estrutura da dissertação desenvolve-se em duas
partes, sendo a primeira dedicada ao autorretrato, baseando-se na apresentação e
análise de obras selecionadas da pintora Aurélia de Sousa (Autorretrato com o Laço
Negro, Autorretrato do Casaco Vermelho, Santo António/Autorretrato).
A segunda, dedicada ao retrato, depois de uma apresentação da pintora Elena
Kiseleva, concentra-se numa das suas obras, Marusia, que vai ser um ponto de partida
para uma narrativa que leva para a subdivisão do tema em três motivos designados: O
Retrato da Mulher Bela, A Cor do Belo, O Xaile.
The following dissertation, through an observation and analysis of the works of two contemporary painters, looks to create a basis for the defense of the following thesis – that the portrait/self-portrait is the most philosophical art form among the plastic arts, and that it occupies a central position in their midst. The dissertation is structured in two parts. The first is dedicated to the self-portrait and is based on the presentation and analysis of selected works of the painter Aurélia de Sousa (Self-Portrait with a Bow-Knot, Self-Portrait in a Red Coat, Saint Anthony/Self-Portrait). The second, dedicated to the portrait, after an introduction of the painter Elena Kiseleva, focuses on one of its works, Marusia, which will be a starting point for a narrative that leads to the subdivision of the theme in three designated motives: The Portrait of the Beautiful Woman, The Color of The Beautiful (of that which is beautiful), The Shawl.
The following dissertation, through an observation and analysis of the works of two contemporary painters, looks to create a basis for the defense of the following thesis – that the portrait/self-portrait is the most philosophical art form among the plastic arts, and that it occupies a central position in their midst. The dissertation is structured in two parts. The first is dedicated to the self-portrait and is based on the presentation and analysis of selected works of the painter Aurélia de Sousa (Self-Portrait with a Bow-Knot, Self-Portrait in a Red Coat, Saint Anthony/Self-Portrait). The second, dedicated to the portrait, after an introduction of the painter Elena Kiseleva, focuses on one of its works, Marusia, which will be a starting point for a narrative that leads to the subdivision of the theme in three designated motives: The Portrait of the Beautiful Woman, The Color of The Beautiful (of that which is beautiful), The Shawl.
Descrição
Palavras-chave
Arquétipo Autorretrato Aurélia de Sousa Elena Kiseleva Janiforme Belo Rosto Leitmotiv Empatia Archetype Janus-shaped Beautiful Face Empathy