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As máscaras simbólicas e intertextuais em Florbela Espanca
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A narrativa ficcional não é o que conhecemos de melhor em Florbela Espanca, mas, assim como em seus poemas, seus contos também não deixam de ter a marca particular que a caracteriza como “ …raiz e flor. A noite e a estrela da alva, a primeira. A morte e a vida. Aquela pudica amante e lilial irmã”. Através da análise interpretativa podemos desvendar lacunas que fazem do seu livro de contos, As Máscaras do Destino, um fascinante mosaico de leituras. Passando pela influência referencial da mitologia dos deuses à consagração heróica de seus filhos (semideuses), fonte imprescindível para o surgimento da representação simbólica do mar e seus respectivos elementos interpretativos como bases da projecção do estado de alma dos escritores sentimentalistas, em que o tema da “dor”, permite a reutilização da imagem noutra construção textual, podendo ocorrer a superposição, a absorção e a transformação de uma multiplicidade de outros textos. Esse estilo elaborado de escrita, possibilita um estudo comparado com outros textos. Aqui, essa relação intertextual, com um poema do consagrado escritor ultra-romântico Soares de Passos, permite observar a tendência decadentista e ultra-romântica em Florbela, de modo que vem confirmar seu conflito interior em detrimento de sua existência. Mesmo assim, não deixou de reafirmar-se como escritora de sua época. Foi designada como a “Poetisa do Amor” por José Régio e o mesmo, ainda ressalta que: “extraordinária força da natureza, vulcão sempre aceso de violentas paixões e desejos que foi a vida e obra de Florbela.
Florbela Espanca is not only well-known for her narrative fiction but also for her poems. Her stories have its particular mark which is characterized by such stories as".....Root and Flower, The Night and the Star of Dawn, The Spring, The Bashful Lover and Lilial Sister". Through the analysis we can unmask the gaps that make-up the fascinating reading of mosaic. Passing through referential influence of the Mythology of Gods to heroic consecration of their children (semi-gods), an indispensable source for the appearance of symbolic representation of the sea and its respective interpretative elements as the base for the projection of the state of souls of the sentimental writers in which the theme of "pain" permits the reutilization of an image in another textual construction where superposition, absorption and the transformation of a multiplicity of other texts. This elaborated style of writing makes it possible for the study of comparisons with other texts. Here, this intertextual relation, with a poem of the consecrated ultra-romantic writer Soares de Passos, permits the observation of the decadent and ultra-romantic tendency in Florbela, so that it confirms its inner conflict in detriment to its existence. Even so, it doesn't stop reaffirming her as a writer of her time. She was named "Poetess of Love" by José Régio and it also highlights " The Extraordinary Force of Nature, Violent Passion always alighted by a Volcano, and desires which was the life and work Of Florbela”.
Florbela Espanca is not only well-known for her narrative fiction but also for her poems. Her stories have its particular mark which is characterized by such stories as".....Root and Flower, The Night and the Star of Dawn, The Spring, The Bashful Lover and Lilial Sister". Through the analysis we can unmask the gaps that make-up the fascinating reading of mosaic. Passing through referential influence of the Mythology of Gods to heroic consecration of their children (semi-gods), an indispensable source for the appearance of symbolic representation of the sea and its respective interpretative elements as the base for the projection of the state of souls of the sentimental writers in which the theme of "pain" permits the reutilization of an image in another textual construction where superposition, absorption and the transformation of a multiplicity of other texts. This elaborated style of writing makes it possible for the study of comparisons with other texts. Here, this intertextual relation, with a poem of the consecrated ultra-romantic writer Soares de Passos, permits the observation of the decadent and ultra-romantic tendency in Florbela, so that it confirms its inner conflict in detriment to its existence. Even so, it doesn't stop reaffirming her as a writer of her time. She was named "Poetess of Love" by José Régio and it also highlights " The Extraordinary Force of Nature, Violent Passion always alighted by a Volcano, and desires which was the life and work Of Florbela”.
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Florbela Espanca Sea Intertextuality Intertextualidade Hero Interpretation Story Decadence Comparison Analysis Myth Poetry Symbolism Sentimentality Ultra-romanticism