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Fishing in the inner sea
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This work is a practice-led research that inhabits the frontier between the tradition in Portuguese ceramic tiles and contemporary art assembling painting, glass and ceramics under the idea of rhizome. The concept, borrowed from Deleuze and Guattari book A thousand Plateaus (1988), is used as a metaphor for the creative process developed under reflexive practice. Anchored in a framework that concerns contemporary authors and artists regarding creativity, studio practice in ceramics and glass, and driven from a praxis based research, this dissertation describes and reflects on: i) the site for the emergent ideas – the graphic diary; ii) the territory for the development of glass and ceramic forms – studio practice; iii) the paths, pitfalls, connections that constitute such rhizomatic proposal under the glass and ceramic creative process to render the work visible. The final displacement of works as an installation results exactly form the rhizome structure underneath the creative process followed in this research. As an outcome, a rhizomatic proposal for creative process in glass and ceramic practice-led research is thus offered for future studio practice-based research.
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rhizome practice-led research reflexive practice creativity creative process mix media installation in painting