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O corpo que fala: sociabilidades, identidade(s) e performance no baile da Casa do Alentejo
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Resumo(s)
O documentário O corpo que fala apresenta fragmentos de histórias, de
narrativas de vida, de quatro pessoas que frequentam o baile de domingo da Casa do
Alentejo, em Lisboa. Trata-se do objeto final de uma pesquisa etnográfica que,
recorrendo à implementação de práticas e mecanismos de realização cinematográfica,
privilegiou o encontro e o diálogo com o outro através do dispositivo da entrevista
filmada. É o resultado de uma abordagem individualizada, à procura de um discurso
subjetivo e pessoal, em que pretendi valorizar o ato de contar histórias, de narrar a
vida, como forma de refletir sobre a experiência humana – maneiras de estar, dizer ou
ser.
Neste relatório, descrevo o processo de trabalho, o conjunto de ações
realizadas no terreno, os procedimentos de aproximação à realidade do baile, às
pessoas que o frequentam, e à escolha das personagens/interlocutores que vemos e
ouvimos no filme. Analiso, também, as implicações epistemológicas e metodológicas,
e outras, do foro ético, decorrentes das opções de realização e das obrigações do
autor, que faz e dá a ver.
O corpo que fala is a documentary that presents fragments of stories - life narratives - of four people who attend the Sunday Ball at Casa do Alentejo, in Lisbon. It is the product of an ethnographic research, which consisted of the implementation of practices and mechanisms of film directing, favouring meeting and dialogue between the director and the other, through the device of a filmed interview. It is the result of an individualised approach, looking for a subjective and personal discourse, in which I intend to value the act of storytelling and life narrative, as a way of thinking about human experience - ways of being or speaking. In this report, I describe the working process, the set of actions carried out on the field, the procedures to approach the reality of the ball dance, the people who attend it and the choice of the characters/interlocutors we see and hear in the film. I also analyse the epistemological and methodological implications, as well as questions of ethical nature, that arise from the choices and obligations of the author who makes them and decides to reveal them.
O corpo que fala is a documentary that presents fragments of stories - life narratives - of four people who attend the Sunday Ball at Casa do Alentejo, in Lisbon. It is the product of an ethnographic research, which consisted of the implementation of practices and mechanisms of film directing, favouring meeting and dialogue between the director and the other, through the device of a filmed interview. It is the result of an individualised approach, looking for a subjective and personal discourse, in which I intend to value the act of storytelling and life narrative, as a way of thinking about human experience - ways of being or speaking. In this report, I describe the working process, the set of actions carried out on the field, the procedures to approach the reality of the ball dance, the people who attend it and the choice of the characters/interlocutors we see and hear in the film. I also analyse the epistemological and methodological implications, as well as questions of ethical nature, that arise from the choices and obligations of the author who makes them and decides to reveal them.
Descrição
Palavras-chave
Casa do Alentejo Documentário Antropologia Visual Entrevista Narrativas de vida Visual Anthropology Documentary Interview Life narratives