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| 1.11 MB | Adobe PDF |
Autores
Orientador(es)
Resumo(s)
The review of the history and practice of first-person filmmaking and
autobiographical documentary, as well as common strategies of self-representation, applied by
filmmakers, is accompanied by several case-studies, that give a deeper perspective on the
nature of a self-portrait, diary film, a portrait of a mother, a family investigation and an essay
on film. First-person documentary films by Agnès Varda, David Perlov, Chantal Akerman,
Chris Marker, Catarina Mourão, Alain Berliner are discussed in the context of postmemory,
representation of everyday and death, deconstruction of the archive, performative strategies,
cinephilia. To conclude, the experience of creating an autobiographical documentary by the
author is shared, placing some of the questions raised earlier in the practical field.
Descrição
Palavras-chave
Autobiography documentary, Subjectivity Self-portrait Diary
