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Nas Interfaces da Comunhão. Diálogos contra a reificação entre Álvaro de Campos e Carlos Drummond de Andrade
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Resumo(s)
À luz do pensamento da arte como reação à «reificação», conceito criado pelo
«Marxismo» para designar a forma de alienação que implica a coisificação nas relações
sociais, é possível percorrer a trajetória de dois poetas que, não se conheceram
diretamente, mas apresentam diversas afinidades artísticas. Os poetas observam e tentam
decifrar o mundo, e é pela incorparação da estranheza como resposta às impressões
obtidas, que Álvaro de Campos e Carlos Drummond de Andrade apresentam-se como
mensageiros de valores que se perdem em uma vida cada vez mais mecanizada, e,
consequentemente vazia, porque experienciam a sensação de estar entre duas realidades:
a que somos submetidos enquanto sociedade, e a interna, que conseguem manter intacta,
de acordo com suas convicções. Ambos encontram na poesia o modo para tocar as
pessoas, e para tal fim, repensam as origens, as coisas naturais e o que deve prevalecer
como essência, mesmo em tempos sombrios. Esta investigação estabelece relação entre
duas vias poéticas a partir da análise parcial das obras e comparação sistemática de textos,
com o objetivo de realizar um diálogo que possa sustentar a possibilidade de uma
identidade poética coincidente entre dois distintos modos de conceber poesia, e abrir
reflexão para uma relação de influências entre os dois poetas.
According to the meaning of art as a reaction to «reification», concept created by «Marxism» to designate a form of alienation that implies objetification of social relations, it’s possible to see the path of two poets who didn’t meet each other directly, but revealed various artistic affinities. The poets tried to observe and to unriddle the world and it is through the incorporation of strangeness as an answer to obtained impressions that Álvaro de Campos and Carlos Drummond de Andrade show themselves as messengers of values, which are missed in a life more and more mechanized and consequently, empty, because they experience the sense of being between two realities: the one that we are submitted while society, and the inner reality, that they can keep intact, according to their convictions. Both find in poetry the way to touch people, and find that purpouse, rethink the origins, the natural things and what may prevail as essence, even in dark times. This brief investigation establishes the relation between the two poetic routes from the partial analysis of the works and from a systematic comparison of texts, with the intent of making a dialogue that can support the possibility of a poetic identity coincidental to both distinct ways of affording poetry and opening a reflection of influences between both poets.
According to the meaning of art as a reaction to «reification», concept created by «Marxism» to designate a form of alienation that implies objetification of social relations, it’s possible to see the path of two poets who didn’t meet each other directly, but revealed various artistic affinities. The poets tried to observe and to unriddle the world and it is through the incorporation of strangeness as an answer to obtained impressions that Álvaro de Campos and Carlos Drummond de Andrade show themselves as messengers of values, which are missed in a life more and more mechanized and consequently, empty, because they experience the sense of being between two realities: the one that we are submitted while society, and the inner reality, that they can keep intact, according to their convictions. Both find in poetry the way to touch people, and find that purpouse, rethink the origins, the natural things and what may prevail as essence, even in dark times. This brief investigation establishes the relation between the two poetic routes from the partial analysis of the works and from a systematic comparison of texts, with the intent of making a dialogue that can support the possibility of a poetic identity coincidental to both distinct ways of affording poetry and opening a reflection of influences between both poets.
Descrição
Palavras-chave
Álvaro de Campos Carlos Drummond de Andrade Reificação Poesia Modernismo Modernism Poetry Reification