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Manuel Faria: um olhar sobre a renovação da música litúrgica em Portugal
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Orientador(es)
Resumo(s)
Manuel Ferreira de Faria (1916-1983) para além de
compositor, na sua maioria de música sacra, também foi padre,
professor, maestro, articulista e conferencista. Estudou no
Seminário de Braga e no Pontifício Instituto de Música Sacra, em
Roma. Quando regressou a Portugal começou a dar aulas de
música no Seminário Menor de Braga. Na sequência da
conclusão do Concílio Vaticano II, tendo sido implementadas as
normas estabelecidas, a música litúrgica passou por uma grande
crise em Portugal, bem como noutros países, quando a celebração
litúrgica foi permitida em língua vernácula, por falta de
repertório.
O presente estudo pretende abordar a visão de Manuel
Faria relativamente ao pôr em prática as normas conciliares, com
especial foco em Portugal; as suas contribuições para iniciar a
renovação da música litúrgica; análise de uma seleção dos seus
cânticos.
Manuel Ferreira de Faria (1916-1983) as well as a composer, mostly of sacred music, was also a priest, teacher, conductor, columnist and lecturer. He studied at the Seminário de Braga and Pontificio Istituto di Musica Sacra, in Rome. When he returned from Italy he began teaching at the Seminário de Braga. After the conclusion of the Vatican Council II, when the norms established were implemented, liturgical music underwent a crisis in Portugal, as in other countries, when liturgy was allowed in the vernacular, owing to the lack of repertoire. This thesis aims to demonstrate the perspective of Manuel Faria regarding the practice of the conciliar norms, with a special focus on Portugal; his contributions towards the concretization of the renewal of liturgical music; an analysis of a selection of religious, vocal music composed by him.
Manuel Ferreira de Faria (1916-1983) as well as a composer, mostly of sacred music, was also a priest, teacher, conductor, columnist and lecturer. He studied at the Seminário de Braga and Pontificio Istituto di Musica Sacra, in Rome. When he returned from Italy he began teaching at the Seminário de Braga. After the conclusion of the Vatican Council II, when the norms established were implemented, liturgical music underwent a crisis in Portugal, as in other countries, when liturgy was allowed in the vernacular, owing to the lack of repertoire. This thesis aims to demonstrate the perspective of Manuel Faria regarding the practice of the conciliar norms, with a special focus on Portugal; his contributions towards the concretization of the renewal of liturgical music; an analysis of a selection of religious, vocal music composed by him.
Descrição
Palavras-chave
Manuel Faria Música litúrgica Cânticos Participação ativa Liturgical music Chants Active participation