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Lisboa, cidade de bairros e tradição? Representações, intermediários e formas de mediação nas Marchas Populares e nos Tronos de Santo António
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Resumo(s)
Uma das representações contemporâneas de Lisboa é, entre outras possíveis, a de que se
trata de uma cidade de bairros associada à tradição popular e à autenticidade. Nesta
dissertação, argumentamos, a partir da análise do concurso das Marchas Populares de
Lisboa (2012-2016) e da exposição coletiva dos Tronos de Santo António (2015-2016),
que a sua (re)produção resulta de um relacionamento complexo, mais ou menos
delimitado geograficamente, entre intermediários e formas de mediação. Tal traduz-se,
em termos práticos, na existência de duas teias de relacionamentos – uma de
intermediários e outra de formas de mediação – que se interligam entre si e que coexistem
com uma estrutura vertical, não necessariamente rígida, encabeçada pela Câmara
Municipal de Lisboa e/ou a empresa municipal para a área da cultura (EGEAC). O caráter
negocial e, ao limite, individual inerente aos quatro conceitos-chave implícitos naquela
representação – “tradição popular”, “autenticidade”, “centro histórico” e “bairro
(popular/histórico/típico)” – constitui, paralelamente, um fator adicional de
complexidade. Esta perspetiva baseia-se na premissa de que o espaço urbano (também)
se produz simbolicamente, pensada a par do binómio representações-identidade(s).
Lisbon, city of neighbourhoods linked to popular tradition and authenticity is a contemporary representation, among others, of the Portuguese capital. The thesis of this dissertation is, based on the analysis of the Popular Marches of Lisbon contest (2012- 2016) and the Saint Anthony’s Thrones collective exhibition, that its (re)production is a result of a complex relationship, more or less delimited geographically, among intermediaries and forms of mediation. This translates, in practical terms, into the existence of two interconnected webs of relationships – one shaped by intermediaries and another by forms of mediation – that coexist with a vertical structure, not necessarily rigid, by the Lisbon City Council and/or the municipal company for culture (EGEAC). At the same time, the negotiating and, to a certain extent, individual character of the four key concepts implicit in that representation – “popular tradition”, “authenticity”, “historic centre” and “(popular/historical/typical) neighbourhood” – is an additional factor of complexity. This perspective is based on the premise that urban space is symbolically produced, understood alongside the binomial representations-identity/identities.
Lisbon, city of neighbourhoods linked to popular tradition and authenticity is a contemporary representation, among others, of the Portuguese capital. The thesis of this dissertation is, based on the analysis of the Popular Marches of Lisbon contest (2012- 2016) and the Saint Anthony’s Thrones collective exhibition, that its (re)production is a result of a complex relationship, more or less delimited geographically, among intermediaries and forms of mediation. This translates, in practical terms, into the existence of two interconnected webs of relationships – one shaped by intermediaries and another by forms of mediation – that coexist with a vertical structure, not necessarily rigid, by the Lisbon City Council and/or the municipal company for culture (EGEAC). At the same time, the negotiating and, to a certain extent, individual character of the four key concepts implicit in that representation – “popular tradition”, “authenticity”, “historic centre” and “(popular/historical/typical) neighbourhood” – is an additional factor of complexity. This perspective is based on the premise that urban space is symbolically produced, understood alongside the binomial representations-identity/identities.
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Palavras-chave
Lisboa Marchas Populares Tronos de Santo António Tradição Popular Centro histórico Bairro Popular Marches Saint Anthony’s Thrones Tradition Historic centre Neighbourhood