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The Materiality of Sound and the Theology of the Incarnation in the Music of Arvo Pärt
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In this paper I examine Arvo Pärt's music through the lens of Orthodox Christian theology. Specifically, and independently of confessional texts (or the lack thereof), I consider a number of his works as they relate to the theology of the Incarnation, bearing in mind the composer's attitude to sound and its relation to silence.
Descrição
UID/EAT/00693/2013
Palavras-chave
Arvo Pärt's music Orthodox Christian theology composer's attitude Sound and silence