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The Materiality of Sound and the Theology of the Incarnation in the Music of Arvo Pärt

dc.contributor.authorMoody, Ivan
dc.contributor.institutionCentro de Estudos em Música (CESEM - NOVA FCSH)
dc.date.accessioned2018-05-11T22:14:28Z
dc.date.available2018-05-11T22:14:28Z
dc.date.issued2017-05-02
dc.descriptionUID/EAT/00693/2013
dc.description.abstractIn this paper I examine Arvo Pärt's music through the lens of Orthodox Christian theology. Specifically, and independently of confessional texts (or the lack thereof), I consider a number of his works as they relate to the theology of the Incarnation, bearing in mind the composer's attitude to sound and its relation to silence.en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent1
dc.format.extent76221
dc.identifier.otherPURE: 3582712
dc.identifier.otherPURE UUID: 0ff0ecd6-61d7-417c-8b83-a4dd07902c27
dc.identifier.otherORCID: /0000-0003-4911-305X/work/55090925
dc.identifier.urihttps://www.svots.edu/sites/default/files/pdf/sounding_the_sacred_program_may_2017.pdf
dc.identifier.urlhttps://www.svots.edu/sites/default/files/pdf/sounding_the_sacred_program_may_2017.pdf
dc.language.isoeng
dc.peerreviewedyes
dc.relationinfo:eu-repo/grantAgreement/FCT/5876/147237/PT
dc.subjectArvo Pärt's music
dc.subjectOrthodox Christian theology
dc.subjectcomposer's attitude
dc.subjectSound and silence
dc.titleThe Materiality of Sound and the Theology of the Incarnation in the Music of Arvo Pärten
dc.typeconference object
degois.publication.firstPage
degois.publication.lastPage
degois.publication.titleArvo Pärt
dspace.entity.typePublication
oaire.awardNumber147237
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/5876/147237/PT
oaire.fundingStream5876
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccess
relation.isProjectOfPublicationd1da4f3e-cbf4-488c-b84e-1142a4b1109e
relation.isProjectOfPublication.latestForDiscoveryd1da4f3e-cbf4-488c-b84e-1142a4b1109e

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