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Museus de arte, lugares de morte e de resistência: a estética de Hegel e as vanguardas artísticas
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Orientador(es)
Resumo(s)
Afirmar que o museu subtrai à arte a sua autenticidade implica olhar para a história e para a cultura
como esferas separadas na quais a obra de arte é colocada no momento de produção – aí e apenas aí a
arte encontra a sua essência – e portanto olhar para a arte como habitante e não produtora de
circunstâncias históricas. Perguntar pelo papel da arte – e do museu – na história, levar-nos-á quase
sempre a pensar na grande questão que nos últimos séculos alimenta os debates em relação a essa
figura a que chamamos cultura. Será da cultura a função de produzir enunciados ou apenas de
conservá-los? A presente investigação debruçar-se-á sobre a instituição do museu de arte - do século
XVIII aos dias de hoje – como fazedora de narrativas culturais e históricas, para as quais a estética de
Hegel, ela própria museal, funcionará como simultâneo ponto de partida e de chegada
To say that the museum detracts from the authenticity of the artwork relies upon regarding history and culture as two separate spheres in which the artwork is positioned at the moment of production – only there can art retain its essence - hence this means looking at art as inhabitant of historical circumstances, rather than a producer of them. To ask about the role of art historically as well as that of the museum, will almost always lead us to the old question that in past centuries has fueled debates on that figure that we now call culture. Does culture produce something, or is its task simply that of preserving what something/someone else has produced? Our investigation examines the institution of the art museum as a cultural and historical narrative maker from the 18th century to the present days. Hegel’s Aesthetics, museal in its own right, will serve as both the departure and arrival point for our analysis.
To say that the museum detracts from the authenticity of the artwork relies upon regarding history and culture as two separate spheres in which the artwork is positioned at the moment of production – only there can art retain its essence - hence this means looking at art as inhabitant of historical circumstances, rather than a producer of them. To ask about the role of art historically as well as that of the museum, will almost always lead us to the old question that in past centuries has fueled debates on that figure that we now call culture. Does culture produce something, or is its task simply that of preserving what something/someone else has produced? Our investigation examines the institution of the art museum as a cultural and historical narrative maker from the 18th century to the present days. Hegel’s Aesthetics, museal in its own right, will serve as both the departure and arrival point for our analysis.
Descrição
Palavras-chave
Iluminismo Avant-garde Museu de arte Hegel Estética Marcel Broodthaers Art museum Enlightment Aesthetics