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Publicação
Performatividade de Género em Cena: o Feminino e o Masculino em "Andróginos", Mistermissmissmister" e Sexy MF"
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Esta dissertação buscou analisar a relação existente entre os estudos de género e as artes cénicas, mais precisamente, o teatro e a performance arte. Foram escolhidos como estudos de caso o espetáculo teatral brasileiro Andróginos, dirigido por Isandria Fermiano e as performances portuguesas Mistermissmissmister e Sexy MF, da autoria de Ana Borralho e João Galante. Partindo do conceito de Judith Butler de performatividade de género, investigou-se como o feminino e o masculino foram construídos nestas obras. Realizou-se um estudo sobre o corpo em cena e sobre a identidade de género, com base em autoras como Judith Butler, Deborah Lupton e Sue-Ellen Case. Em seguida, foi feita uma análise comparativa das três obras artísticas escolhidas. Buscou-se estabelecer, através de autores como Guillermo Gómez-Peña, Matteo Bonfitto e Renato Cohen, um paralelo entre os trabalhos do ator e do performer. Concluiu-se que as artes cénicas possuem um potencial subversivo, capaz de inverter e desconstruir a lógica binária do género.
This dissertation sought to analyze the existing relation between Gender Studies and Scenic Arts, more precisely, theater and performance art. It was selected as case studies the Brazilian theatrical play Andróginos, directed by Isandria Fermiano and the Portuguese performances Mistermissmissmister and Sexy MF, by Ana Borralho and João Galante. Starting from Judith Butler's concept of gender performativity, it was investigated how the feminine and the masculine were constructed in these pieces. A study was conducted about the body on the scene and about gender identity, based on authors such as Judith Butler, Deborah Lupton, and Sue-Ellen Case. Subsequently, a comparative analysis was made of the three artistic pieces chosen. It was sought to establish, through authors such as Guillermo Gómez-Peña, Matteo Bonfitto and Renato Cohen, a parallel between the actor’s and the performer’s works. It was concluded that Scenic Arts have a subversive potential, capable of inverting and deconstructing the binary logic of gender.
This dissertation sought to analyze the existing relation between Gender Studies and Scenic Arts, more precisely, theater and performance art. It was selected as case studies the Brazilian theatrical play Andróginos, directed by Isandria Fermiano and the Portuguese performances Mistermissmissmister and Sexy MF, by Ana Borralho and João Galante. Starting from Judith Butler's concept of gender performativity, it was investigated how the feminine and the masculine were constructed in these pieces. A study was conducted about the body on the scene and about gender identity, based on authors such as Judith Butler, Deborah Lupton, and Sue-Ellen Case. Subsequently, a comparative analysis was made of the three artistic pieces chosen. It was sought to establish, through authors such as Guillermo Gómez-Peña, Matteo Bonfitto and Renato Cohen, a parallel between the actor’s and the performer’s works. It was concluded that Scenic Arts have a subversive potential, capable of inverting and deconstructing the binary logic of gender.
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Palavras-chave
Género Performance Teatro Performatividade Artes Cénicas Gender Theatre Performance Performativity Scenic Arts