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TRANSLATING THE INVISIBLE LANGUAGE OF LIGHT

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This work discusses the relationship between art and science by the study of the fundamentals of light alongside an experimental process that emphasizes the transformation of matter, through which the main material of exploration is glass. Being exposed to scientific subjects throughout the master program facilitated a great interest and countless curiosities towards the nature of light from the point of view of an observer, but also as an experimenter and a maker. Through these inquiries, I recognized a relationship between the interaction of energy and matter, similar to the interaction of the artist with matter and space. Consequently I began a pursuit in which I immersed myself in a universe of light to later analyze its possible influence on my artwork and inevitably becoming part of the experiment myself. With this work, I seek to translate the above-mentioned interactions in order to create a visible artistic language. This is an attempt to approach science in a yet to be experienced way. Through glassmaking, I attempt to transform and materialize ideas about the nature of light in order to make a physically tangible vocabulary that will, hopefully, promote further understandings of light, life, the universe, and the world around me.

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Licença CC