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Publicação
As imagens contemporâneas
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Orientador(es)
Resumo(s)
Tentemos pensar a imagem digital no seu convívio diário com o espectador: a maneira como
ela entra na nossa vida, involuntária ou voluntariamente, é definidora também de como vemos o
mundo e de como o mostramos para os outros. Como se relaciona hoje em dia uma pessoa com os
outros através da imagem, como se relaciona com a imagem em si e como se representa através
desta?
Deu-se à imagem a hipótese de se tornar comum aos olhos de todos, sendo distribuída a um
nível mundial, feita e re-feita por milhões de pessoas diferentes. Pensemos então que valor damos
às imagens nos dias de hoje - ao perder substância, a imagem contemporânea recuperou a força
política que tinha vindo a perder, mas desta vez por se inserir nas mãos de cada um enquanto
divulgação de uma opinião (seja ela propositada ou não). Com a alteração da nossa percepção do
mundo através de novas imagens, há uma discussão entre realidades captadas, as perspectivas são
torcidas e multiplicam-se. Novos tipos de visualidade surgem. Começa-se a largar a visão de um
espectador imóvel enquanto norma, e podemos presenciar variados outros paradigmas visuais. Cada
utilizador pode trazer a sua visão e “pô-la a falar” com a visão dos outros - o olhar contemporâneo
assente na Terra.
Start by regarding the digital image in its daily coexistence with the viewer: how it enters our personal lives, willingly or not, and shapes our perspective of the space we inhabit/the world and also how we show and share that with others. How does one relate to others through image, relates with the image itself and also through it? There has been given the chance to turn the image into commonplace in the eyes of everyone, worldwide distributed, created and repeated by millions of different people. Let us reflect on what value we attribute to these day-to-day images, how by losing substance the contemporary image regained its (losing) political force, yet this time it fits on every person’s hands as a means to disseminate an opinion, wether it is purposeful or not. Our constant shifting perception through new images generates a discussion between captured realities, a perspective which is twisted/tangled and multiplied. New visualities arise. The motionless viewer stops being regarded as the norm and therefore we allow ourselves to acknowledge several other visual paradigms. Each user can assert his vision and interact with the vision of others as well - the contemporary sight grounded on Earth.
Start by regarding the digital image in its daily coexistence with the viewer: how it enters our personal lives, willingly or not, and shapes our perspective of the space we inhabit/the world and also how we show and share that with others. How does one relate to others through image, relates with the image itself and also through it? There has been given the chance to turn the image into commonplace in the eyes of everyone, worldwide distributed, created and repeated by millions of different people. Let us reflect on what value we attribute to these day-to-day images, how by losing substance the contemporary image regained its (losing) political force, yet this time it fits on every person’s hands as a means to disseminate an opinion, wether it is purposeful or not. Our constant shifting perception through new images generates a discussion between captured realities, a perspective which is twisted/tangled and multiplied. New visualities arise. The motionless viewer stops being regarded as the norm and therefore we allow ourselves to acknowledge several other visual paradigms. Each user can assert his vision and interact with the vision of others as well - the contemporary sight grounded on Earth.
Descrição
Palavras-chave
Fotografia Imagem Pobre Novos Dispositivos Instagram Hypomnemata Virtual Cinema Expandido Ponto de Vista Reconhecimento Curadoria Photography Poor Image New Devices Recognition Expanded Cinema Point of View Curatorship