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Documentário, espaço selvagem da experimentação
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Resumo(s)
O presente relatório de estágio tem como propósito expor o trabalho
desenvolvido na Apordoc/Doclisboa no âmbito do estágio curricular, inserido no último
semestre do Mestrado em Ciências da Comunicação – especialização em Cinema e
Televisão. De forma a melhor percepcionar as actividades desenvolvidas nesse
contexto, é primeiramente apresentado um enquadramento teórico no qual se discute a
significância do movimento documental no cinema, aliando uma perspectiva histórica à
sua definição e consolidação desde o surgimento do cinema até à contemporaneidade.
Ainda no âmbito do enquadramento teórico, aborda-se também o tema dos festivais de
cinema, reflectindo na sua história e importância para a difusão do cinema independente
contemporâneo (no qual se enquadra o documentário), dissecando a dinâmica que
impulsiona estas manifestações culturais, bem como os seus propósitos e motivações.
Por último, dedica-se um capítulo às actividades desenvolvidas no estágio propriamente
dito, problematizando questões que surgiram na prática da produção de um festival de
cinema interligando-as com o enquadramento teórico quando pertinente, considera-se a
aprendizagem que das mesmas adveio incorporada numa ponderação acerca da sua
pertinência em futuro contexto laboral.
The present work aims to expose the work developed on Apordoc/Doclisboa curricular internship, inserted in the last semester of the Master in Communication Sciences - Specialization in Cinema and Television. For a better understanding of the activities undertaken in this context, a theoretical framework is presented at the beginning, in which the significance of the documentary movement in cinema is discussed, combining a historical perspective to better perceive its definition and consolidation since the dawn of cinema to the present day. Still within the theoretical framework, we tackle the topic of film festivals, reflecting on its history and importance to the broadcasting of contemporary independent cinema (in which documentary is incorporated), dissecting the dynamics that boost these cultural manifestations, as well as their intentions and motivations. Finally, a chapter is dedicated to the activities developed during the internship, discussing issues that have arisen in the practice of producing a film festival and linking them with the theoretical framework where appropriate, we ponder on the knowledge gained from such activities while pondering on their significance and relevance in a future work placement.
The present work aims to expose the work developed on Apordoc/Doclisboa curricular internship, inserted in the last semester of the Master in Communication Sciences - Specialization in Cinema and Television. For a better understanding of the activities undertaken in this context, a theoretical framework is presented at the beginning, in which the significance of the documentary movement in cinema is discussed, combining a historical perspective to better perceive its definition and consolidation since the dawn of cinema to the present day. Still within the theoretical framework, we tackle the topic of film festivals, reflecting on its history and importance to the broadcasting of contemporary independent cinema (in which documentary is incorporated), dissecting the dynamics that boost these cultural manifestations, as well as their intentions and motivations. Finally, a chapter is dedicated to the activities developed during the internship, discussing issues that have arisen in the practice of producing a film festival and linking them with the theoretical framework where appropriate, we ponder on the knowledge gained from such activities while pondering on their significance and relevance in a future work placement.
Descrição
Palavras-chave
Documentário Cinema Cultura Doclisboa Festivais de cinema Film Culture Doclisboa Documentary Film Festivals