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Em busca da próxima mega estrela portuguesa: música, televisão e políticas de interactividade nos reality pop programs (entre 2003 e 2015)
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Esta dissertação parte do estudo de adaptações portuguesas de três formatos reality pop
— The Voice, Ídolos e Factor X —, transmitidas durante os anos de 2003 a 2015, para
questionar de que forma o ideal de estrelato musical é negociado e concretizado através
de práticas de produção televisivas — nas suas dimensões actuais de articulação com
práticas de interactividade direccionadas para diversas plataformas de comunicação. Ao
longo da dissertação, os casos analisados são discutidos e problematizados segundo uma
abordagem materialista e partindo de uma análise das intersecções entre dimensões
internacionais e nacionais / regionais do fenómeno da reality television e dos reality pop
programs; dos processos organizacionais e das práticas concretas que ocorrem ao nível
dos espaços de ensaio e gravação televisiva; do papel de agentes específicos nessas
práticas, segundo o seu posicionamento na organização económica da produção dos
talent shows — concorrentes, audiências, voice coaches, produtores de conteúdos
online, etc —; das narrativas e de processos de construção de narrativas que procuram
representar o percurso de progresso dos concorrentes, em direcção ao ideal de estrelato
musical.
This dissertation questions how the ideal of musical stardom is negotiated and accomplished in the television production practices — in its recent dynamics that articulate interactivity practices oriented towards different communication platforms — by analysing three reality pop formats’ Portuguese adaptations broadcasted from 2003 to 2015 — The Voice, Ídolos and Factor X. Throughout the dissertation, the analysed case studies are discussed and problematised following a materialistic approach and by examining the intersections between reality TV’s and reality pop programs’ internacional and national / regional dimensions; the organisational processes and concrete practices that occur in the rehearsal and recording spaces; the role occupied by that practices’ specific agents, considering their position in the economic organisation of talent shows’ production — contestants, audiences, voice coaches, online content producers, etc —; the narratives and the narratives’ developing processes that try to represent the contestants’ journey of progression towards the ideal of musical stardom.
This dissertation questions how the ideal of musical stardom is negotiated and accomplished in the television production practices — in its recent dynamics that articulate interactivity practices oriented towards different communication platforms — by analysing three reality pop formats’ Portuguese adaptations broadcasted from 2003 to 2015 — The Voice, Ídolos and Factor X. Throughout the dissertation, the analysed case studies are discussed and problematised following a materialistic approach and by examining the intersections between reality TV’s and reality pop programs’ internacional and national / regional dimensions; the organisational processes and concrete practices that occur in the rehearsal and recording spaces; the role occupied by that practices’ specific agents, considering their position in the economic organisation of talent shows’ production — contestants, audiences, voice coaches, online content producers, etc —; the narratives and the narratives’ developing processes that try to represent the contestants’ journey of progression towards the ideal of musical stardom.
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Palavras-chave
Produção televisiva Reality pop programs Televisão Interactividade Reality pop programs Estrelato musical Interactivity Musical stardom Television production