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Os relicários em Portugual e no Mundo Português entre os Séculos XVI e XVIII. Um Estudo Introdutório
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A presente dissertação é dedicada aos relicários, produzidos em Portugal e nos territórios dominados pela Coroa Portuguesa entre os séculos XVI e XVIII. Dos diferentes núcleos que fazem parte deste enorme conjunto, o da igreja de São Roque merece especial desenvolvimento pelo significado de que se reveste. A devoção prestada aos restos mortais ou materiais de figuras de santos, da Virgem e do próprio Cristo desenvolveu o culto das relíquias, que, vindo da Idade Média foi duramente criticado pelo movimento da Reforma Protestante. Confirmada a sua validade pelo Concílio de Trento, o culto das relíquias implicou uma produção de relicários em todo o espaço europeu que permaneceu fiel a Roma, tendo contribuído para isso a acção da Companhia de Jesus e o exemplo de colecções régias, como a de Filipe II de Espanha. Em Portugal, este aspecto relaciona-se também com a expansão para Oriente e o Brasil, introduzindo elementos extraeuropeus nas suas realizações. A grande variedade das tipologias, dos cofres e cruzes aos bustos e braços relicários, ligadas às artes decorativas e à escultura, tornam os relicários na arte portuguesa um campo de estudo bastante extenso, que esta dissertação procura abordar de forma introdutória.
This dissertation is dedicated to the reliquaries, produced in Portugal and in the territories dominated by the Portuguese Crown between the sixteenth and eighteenth centuries. Of the different cores that are part of this huge set, the São Roque church deserves special development by means of which it contains. The devotion paid to the remains or figures of saints materials, the Virgin and Christ himself developed the cult of relics, which, from the Middle Ages was heavily criticized by the movement of the Protestant Reformation. Confirmed the validity of the Council of Trent, the cult of relics led to a reliquaries production throughout the European area that remained loyal to Rome and contributed to that the Company's share of Jesus and the example of royal collections, such as Philip II of Spain. In Portugal, this aspect also relates to the expansion to East and Brazil, introducing extraeuropeus elements in their achievements. The wide variety of types, the vaults and crosses the busts reliquaries and arms, related to decorative arts and sculpture, make the shrines in Portuguese art a very extensive field of study, this dissertation seeks to address in an introductory way.
This dissertation is dedicated to the reliquaries, produced in Portugal and in the territories dominated by the Portuguese Crown between the sixteenth and eighteenth centuries. Of the different cores that are part of this huge set, the São Roque church deserves special development by means of which it contains. The devotion paid to the remains or figures of saints materials, the Virgin and Christ himself developed the cult of relics, which, from the Middle Ages was heavily criticized by the movement of the Protestant Reformation. Confirmed the validity of the Council of Trent, the cult of relics led to a reliquaries production throughout the European area that remained loyal to Rome and contributed to that the Company's share of Jesus and the example of royal collections, such as Philip II of Spain. In Portugal, this aspect also relates to the expansion to East and Brazil, introducing extraeuropeus elements in their achievements. The wide variety of types, the vaults and crosses the busts reliquaries and arms, related to decorative arts and sculpture, make the shrines in Portuguese art a very extensive field of study, this dissertation seeks to address in an introductory way.
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Palavras-chave
Relicários Companhia de Jesus Igreja de São Roque Culto das relíquias Arte colonial Reliquaries Cult of relics Society of Jesus Church of São Roque, Colonial Art