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O filme como antropologia da memória. O exemplo do Museu da Água
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A história de uma empresa centenária como a Empresa Portuguesa das Águas Livres (148 anos), herdeira da Companhia das Águas de Lisboa, fundada em 1868, é naturalmente valorizada pelo seu importante património que se encontra desde 1987 reunido no Museu da Água e é composto por um vasto e valioso acervo histórico e museológico, onde a história do abastecimento de água à cidade de Lisboa nos séculos XVIII, XIX e XX, pode ser relembrada nas grandes obras de referência.
Num contexto social em que as sociedades contemporâneas hipermediatizadas do séc. XXI tendem a mediar as tradicionais representações culturais através de novos dispositivos sensoriais, que privilegiam a imagem e o som, pode um filme assumir-se como uma ferramenta cultural complementar à tradicional linguagem de um museu de empresa, potenciando a sua componente de identificação cultural, emocional e envolvente em relação a um determinado objecto?
The story of a century-old company as the Portuguese company Águas Livres (148 years), heir to the Company of Lisbon Waters, founded in 1868, is naturally prized for its rich heritage which is since 1987 gathered at the Water Museum and consists by a vast and valuable historical and museum collection, where the history of water supply to the city of Lisbon in the eighteenth, nineteenth and twentieth centuries, can be remembered in the great works of reference. In a social context, in which XXI century contemporary societies tend to mediate and dilute traditional cultural representations through new sensory devices that focus on picture and sound, can a movie be assumed as a complementary cultural tool in the traditional language of a company museum, enhancing their cultural identification component , emotional and engaging in relation to a particular object?
The story of a century-old company as the Portuguese company Águas Livres (148 years), heir to the Company of Lisbon Waters, founded in 1868, is naturally prized for its rich heritage which is since 1987 gathered at the Water Museum and consists by a vast and valuable historical and museum collection, where the history of water supply to the city of Lisbon in the eighteenth, nineteenth and twentieth centuries, can be remembered in the great works of reference. In a social context, in which XXI century contemporary societies tend to mediate and dilute traditional cultural representations through new sensory devices that focus on picture and sound, can a movie be assumed as a complementary cultural tool in the traditional language of a company museum, enhancing their cultural identification component , emotional and engaging in relation to a particular object?
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Museu Empresa História Memória Identidade Filme Cultura Museum Company History Memory Identity Film Culture