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Gesto e capoeiragem : um corpo de capoeira para a vídeo-dança
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Esta pesquisa propõe costurar um diálogo teórico entre práticas de Capoeira, Dança
Contemporânea e “vídeo-dança”, para orientar um percurso de criação artística em formato
audiovisual, na perspectiva autobiográfica. Entre os objetivos específicos evidenciados, estão:
refletir sobre a construção corporal na Capoeira por intermédio da memória e do gesto; verificar
a interseção de valências entre os três universos de intervenção e, por último, testar potências do
corpo de Capoeira para o formato “vídeo-dança” em caráter experimental. Para tanto, foram
articuladas produções teóricas e artísticas que refletem sobre a incidência da Capoeira na prática
cênica. Esta associação provocou um diálogo por meio de flexibilizações conceituais sobre o
corpo, o movimento e a percepção no campo das artes cênicas, pelo qual identificou-se a
improvisação como elemento de afinidade e como vetor para a representação artística
audiovisual. Entre os aportes teóricos utilizados estão Maurice Merleau-Ponty, Marcel Mauss,
José Gil, Philippe Dubois e Gilles Deleuze.
This research proposes to build a theoretical dialogue between Capoeira-practices, contemporary dance and "video-dance", to, from a autobiographic persepective, position an artistic creational path in an audiovisual way. Some of the specific objectives that are demonstrated are: reflecting about the physical construction in Capoeira by memory and gesture, verifying intersections of characteristics in the three areas of intervention and, finally, testing of physical potentials of Capoeira for the format of "video-dance" in an experimental way. For this purpose, theoretical and artistic products were articulated, that reflect about the ocurrance of Capoeira in scenic practice. This association caused a dialogue by means of conceptual loosening of the body, movement and perception in the field of scenic arts, for which improvisation was distinguished as an element of affinity and as a vector in the artistic audiovisual representation. Between the theoretical contributions used are: Maurice Merleau-Ponty, Marcel Mauss, José Gil, Philippe Dubois and Gilles Deleuze.
This research proposes to build a theoretical dialogue between Capoeira-practices, contemporary dance and "video-dance", to, from a autobiographic persepective, position an artistic creational path in an audiovisual way. Some of the specific objectives that are demonstrated are: reflecting about the physical construction in Capoeira by memory and gesture, verifying intersections of characteristics in the three areas of intervention and, finally, testing of physical potentials of Capoeira for the format of "video-dance" in an experimental way. For this purpose, theoretical and artistic products were articulated, that reflect about the ocurrance of Capoeira in scenic practice. This association caused a dialogue by means of conceptual loosening of the body, movement and perception in the field of scenic arts, for which improvisation was distinguished as an element of affinity and as a vector in the artistic audiovisual representation. Between the theoretical contributions used are: Maurice Merleau-Ponty, Marcel Mauss, José Gil, Philippe Dubois and Gilles Deleuze.
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Palavras-chave
Capoeira Dança Improvisação Audiovisual Capoeira Dance Improvisation Audiovisual