A carregar...
Publicação
(Para Um) Plano Têxtil : Memória descritiva do projeto fílmico “Mr. Jerrald James – Retalhos e Entrevistas"
| Nome: | Descrição: | Tamanho: | Formato: | |
|---|---|---|---|---|
| 615.79 KB | Adobe PDF | |||
| 60.27 KB | Adobe PDF | |||
| 149.22 KB | Adobe PDF | |||
| 61.23 KB | Adobe PDF |
Autores
Orientador(es)
Resumo(s)
O projeto parte da ideia de filmar conversas à mesa em diversas situações:
uma entrevista, uma conversa entre amigos, uma refeição. Depois surge a ideia de
fazer um documentário sobre Jerrald James, um músico e professor norte-americano
residente em Lisboa. As duas ideias parecem poder conjugar-se no mesmo programa.
Recorrendo à encenação de várias cenas e situações do dia a dia deste personagem,
este exercício procura através de uma abordagem observacional saber quem é Jerrald
James e refletir sobre o papel do realizador, do ator e do espectador nessa observação.
Duas questões colocam-se: quem encena e o que é encenado? Quem observa e o que é observado?
The original idea for the project was to film several conversations at the table in different contexts: an interview, a conversation between friends, a dinner party. Afterwards, another idea occurred: to make a documentary about Jerrald James, a American teacher and musician residing in Lisbon. Both ideas appeared to suit the same programme. The plan was then to stage several situations of Jerrald James’s day to day life and from there to try to find more about this character. The documentary uses an observational approach and is a reflection about the roll of the director, the actor and the audience in the observation of such situations and images. Who stages what and who and what is staged. Who observes and what is observed?
The original idea for the project was to film several conversations at the table in different contexts: an interview, a conversation between friends, a dinner party. Afterwards, another idea occurred: to make a documentary about Jerrald James, a American teacher and musician residing in Lisbon. Both ideas appeared to suit the same programme. The plan was then to stage several situations of Jerrald James’s day to day life and from there to try to find more about this character. The documentary uses an observational approach and is a reflection about the roll of the director, the actor and the audience in the observation of such situations and images. Who stages what and who and what is staged. Who observes and what is observed?
Descrição
Palavras-chave
Cinema Observacional Imagem Entrevista Interatividade Observação Palimpsesto Participação Image Interactivity Interview Observation Observational Cinema Palimpsest Participation