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Pequenos Pulos: pensar a interação
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Este projeto artístico, intitulado Pequenos Pulos, insere-se no âmbito do
Mestrado em Artes Musicais da Universidade Nova de Lisboa e propõe a criação de
uma instalação imersiva que conjuga som, luz, imagem e performance com foco na
interação com audiências jovens. O trabalho parte da hipótese de que a articulação de
elementos sensoriais pode intensificar a perceção estética e o envolvimento emocional
do público jovem com a obra de arte. A metodologia adotada assenta na prática artística
como investigação, combinando criação, reflexão e análise empírica da receção da
instalação. A peça foi concebida como um one-man show, em que o compositor assume
simultaneamente os papéis de criador e performer, desafiando os limites da autoria e
promovendo uma experiência estética multidimensional. A instalação explora conceitos
da installation art, soundscape, teatro-música e práticas interativas, incorporando
referências históricas e tecnológicas. A interação com o público jovem foi avaliada
através de um formulário aplicado após a apresentação, permitindo compreender as
reações emocionais e cognitivas dos participantes. Os resultados obtidos apontam para
um impacto positivo da experiência imersiva na perceção estética dos jovens,
confirmando a relevância da interatividade sensorial como estratégia de mediação
artística contemporânea.
This artistic project, entitled Pequenos Pulos, is part of the Master's Degree in Musical Arts at Universidade Nova de Lisboa and proposes the creation of an immersive installation that combines sound, light, image and performance with a focus on interaction with young audiences. The work is based on the hypothesis that the articulation of sensory elements can intensify the aesthetic perception and emotional involvement of young audiences with the work of art. The methodology adopted is based on artistic practice as research, combining creation, reflection and empirical analysis of the installation's reception. The piece was conceived as a one-man show, in which the composer simultaneously assumes the roles of creator and performer, challenging the limits of authorship and promoting a multidimensional aesthetic experience. The installation explores concepts of installation art, soundscape, theatermusic and interactive practices, incorporating historical and technological references. The interaction with the young audience was evaluated using a form applied after the performance, allowing us to understand the emotional and cognitive reactions of the participants. The results point to a positive impact of the immersive experience on the aesthetic perception of young people, confirming the relevance of sensory interactivity as a strategy for contemporary artistic mediation.
This artistic project, entitled Pequenos Pulos, is part of the Master's Degree in Musical Arts at Universidade Nova de Lisboa and proposes the creation of an immersive installation that combines sound, light, image and performance with a focus on interaction with young audiences. The work is based on the hypothesis that the articulation of sensory elements can intensify the aesthetic perception and emotional involvement of young audiences with the work of art. The methodology adopted is based on artistic practice as research, combining creation, reflection and empirical analysis of the installation's reception. The piece was conceived as a one-man show, in which the composer simultaneously assumes the roles of creator and performer, challenging the limits of authorship and promoting a multidimensional aesthetic experience. The installation explores concepts of installation art, soundscape, theatermusic and interactive practices, incorporating historical and technological references. The interaction with the young audience was evaluated using a form applied after the performance, allowing us to understand the emotional and cognitive reactions of the participants. The results point to a positive impact of the immersive experience on the aesthetic perception of young people, confirming the relevance of sensory interactivity as a strategy for contemporary artistic mediation.
Descrição
Palavras-chave
Público jovem Young audience Interação com audiências Interaction with audiences Installation art Installation art Trabalho de projeto