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A dramatologia no universo cultural e religioso Bijagó
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O presente trabalho insere-se na unidade curricular do Curso de Mestrado em Artes Cénicas e tem em vista o estudo das práticas performativas ritualizadas na Guiné-Bissau, no universo cultural e religioso Bijagó, seu património imaterial preservado em prol da permanência dos valores culturais. Exercendo a dramatologia um papel pedagógico social, como forma de garantir a linhagem cultural, o estudo procede à análise dos elementos cénicos presentes na ação performativa e suas linguagens (voz, música, dança).
This work is part of the curriculum of the Master’s Degree in Performing Arts. It aims to study ritualized performance practices in Guinea-Bissau, in the Bijagó cultural and religious universe, in its intangible heritage preserved for the performance of cultural values. Dramatology plays a social pedagogical role, as a way of guaranteeing cultural lineage, and this study analyses the scenic elements present in the performative action and its languages (voice, music, and dance).
This work is part of the curriculum of the Master’s Degree in Performing Arts. It aims to study ritualized performance practices in Guinea-Bissau, in the Bijagó cultural and religious universe, in its intangible heritage preserved for the performance of cultural values. Dramatology plays a social pedagogical role, as a way of guaranteeing cultural lineage, and this study analyses the scenic elements present in the performative action and its languages (voice, music, and dance).
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Palavras-chave
Dramatologia Dramatology Rituais Rituals Guiné-Bissau Bijagó Linguagens cénicas Scenic languages