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O mundo é um moinho – os conflitos identitários de Cartola e Aquiles em Luanda, Lisboa, Paraíso
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Esta dissertação analisa criticamente os conflitos identitários vivenciados pelas
personagens Cartola e Aquiles no romance Luanda, Lisboa, Paraíso (2023), de Djaimilia
Pereira de Almeida. Através de uma abordagem interdisciplinar que conjuga estudos literários,
teoria pós-colonial e decolonial, explora-se como a experiência migratória em contexto póscolonial provoca rupturas, silenciamentos e reformulações subjetivas profundas nas
personagens. A análise é estruturada por meio de uma leitura minuciosa de cenas significativas
do romance, examinadas sob conceitos como subalternidade e voz (Spivak, 2001; Kilomba,
2022), mimetismo (Bhabha, 2013), identidade cultural (Hall, 2006), além da noção de
colonialidade persistente (Maldonado-Torres, 2024). Destaca-se especialmente a trajetória das
personagens em face das pressões sociais e raciais em Portugal, evidenciando as cicatrizes do
colonialismo que permanecem abertas e influenciam diretamente a construção de suas
identidades. Conclui-se que, apesar da aparente impossibilidade de completa integração ou
retorno, Cartola e Aquiles negociam novos espaços subjetivos, delineando possibilidades sutis,
mas significativas, de agência e resistência ao legado colonial.
This dissertation critically analyzes the identity conflicts experienced by the characters Cartola and Aquiles in the novel Luanda, Lisboa, Paraíso (2023), by Djaimilia Pereira de Almeida. Through an interdisciplinary approach combining literary studies, postcolonial and decolonial theory, the research explores how migratory experiences in a postcolonial context provoke ruptures, silencing, and profound subjective reformulations in the characters. The analysis is structured through a close reading of significant scenes from the novel, examined using concepts such as subalternity and voice (Spivak, 2001; Kilomba, 2022), mimicry (Bhabha, 2013), cultural identity (Hall, 2006), as well as the notion of persistent coloniality (Maldonado-Torres, 2024). Particular attention is paid to the characters' trajectories in the face of social and racial pressures in Portugal, highlighting how open colonial wounds directly influence the construction of their identities. The study concludes that, despite the apparent impossibility of complete integration or return, Cartola and Aquiles negotiate new subjective spaces, subtly yet meaningfully delineating forms of agency and resistance to the colonial legacy.
This dissertation critically analyzes the identity conflicts experienced by the characters Cartola and Aquiles in the novel Luanda, Lisboa, Paraíso (2023), by Djaimilia Pereira de Almeida. Through an interdisciplinary approach combining literary studies, postcolonial and decolonial theory, the research explores how migratory experiences in a postcolonial context provoke ruptures, silencing, and profound subjective reformulations in the characters. The analysis is structured through a close reading of significant scenes from the novel, examined using concepts such as subalternity and voice (Spivak, 2001; Kilomba, 2022), mimicry (Bhabha, 2013), cultural identity (Hall, 2006), as well as the notion of persistent coloniality (Maldonado-Torres, 2024). Particular attention is paid to the characters' trajectories in the face of social and racial pressures in Portugal, highlighting how open colonial wounds directly influence the construction of their identities. The study concludes that, despite the apparent impossibility of complete integration or return, Cartola and Aquiles negotiate new subjective spaces, subtly yet meaningfully delineating forms of agency and resistance to the colonial legacy.
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Literatura Portuguesa Contemporânea Contemporary Portuguese Literature Identidade Pós-Colonial Postcolonial Identity Decolonialidade Decoloniality Migração Migration Djaimilia Pereira de Almeida Cartola Aquiles Luanda Lisboa Paraíso