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Representações sociais do feminino nas canções pimba: “Na verdade, havia outra…e eu sem saber sorria …”
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Orientador(es)
Resumo(s)
A presente tese analisa canções de 5 cantoras portuguesas consideradas pimba – Ana
Malhoa, Ágata, Mónica Sintra, Rosinha e Ruth Marlene – evidenciando a partir das
mesmas as representações sociais do género feminino que estas efetuam.
O principal objetivo da tese foi identificar, a partir dos textos de 50 canções, com base na
teoria das representações socais de Moscovici os Núcleos Centrais e os Sistemas
Periféricos constitutivos da representação social da «mulher» efetuada nessas canções
enquanto representativas de uma determinada vertente da cultura pimba portuguesa,
enquanto género integrante da cultura popular.
Na análise de conteúdo realizada foi constatado o confronto dos valores expressos
naquelas representações com a representação social tradicional do feminino, em especial
com a visão influenciada pela cultura cristã, mesclada com o individualismo social
vigente.
This thesis analyses the songs of five Portuguese singers considered to be pimba - Ana Malhoa, Ágata, Mónica Sintra, Rosinha and Ruth Marlene - and highlights their social representations of the female gender. The main aim of the thesis was to identify, from the texts of 50 songs, based on Moscovici's theory of social representations, the Central Nuclei and Peripheral Systems that make up the social representation of ‘woman’ made in these songs as representative of a particular strand of Portuguese pimba culture, as an integral genre of popular culture. The content analysis carried out showed that the values expressed in these representations clashed with the traditional social representation of women, especially the view influenced by Christian culture, mixed with the prevailing social individualism.
This thesis analyses the songs of five Portuguese singers considered to be pimba - Ana Malhoa, Ágata, Mónica Sintra, Rosinha and Ruth Marlene - and highlights their social representations of the female gender. The main aim of the thesis was to identify, from the texts of 50 songs, based on Moscovici's theory of social representations, the Central Nuclei and Peripheral Systems that make up the social representation of ‘woman’ made in these songs as representative of a particular strand of Portuguese pimba culture, as an integral genre of popular culture. The content analysis carried out showed that the values expressed in these representations clashed with the traditional social representation of women, especially the view influenced by Christian culture, mixed with the prevailing social individualism.
Descrição
Palavras-chave
Cultura popular Popular culture Pimba Social representation Representação social Content analysis Análise de conteúdo Clash of values Confronto de valores