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Resumo(s)
Este documento escrito, sob a forma de um relatório, pretende descrever um conjunto de actividades realizadas no âmbito de um estágio curricular, que teve lugar no Centro de Arte Moderna, na Fundação Calouste Gulbenkian. Para além da demonstração das várias fases do trabalho na exposição antológica de António Charrua, entre outras pontuais actividades, este documento é também o reflexo de uma análise que teve início no âmbito da componente lectiva do mestrado e que veio a desenvolver-se ao longo dos últimos meses de trabalho.
Assim, propõe-se uma abordagem de natureza narrativa sobre uma experiência, que se traduz numa reflexão acerca da arte, moderna e contemporânea, a sua abordagem institucional e a sua inscrição histórica, fazendo ao mesmo tempo um paralelo com a prática logística e estrutural da agenda de preparação de uma exposição.
This written document, under the guise of a report, aims to describe a set of activities undertook in the purview of a curricular internship at the Calouste Gulbenkian Foundation's Centro de Arte Moderna. More than demonstrating the various work phases behind Antonio Charrua's anthological exhibition, among other activities, this document is also the reflection of an analysis that has its root in the academic portion of the masters and which came to be developed throughout these last final months. Thus, an approach to an experience is proposed, narrative in nature, that translates into a reflection on art, modern and contemporary, its institutional approach and its historic inscription, drawing at the same time a parallel between it and the logistical and structural practice of an exhibition’s preparation time frame.
This written document, under the guise of a report, aims to describe a set of activities undertook in the purview of a curricular internship at the Calouste Gulbenkian Foundation's Centro de Arte Moderna. More than demonstrating the various work phases behind Antonio Charrua's anthological exhibition, among other activities, this document is also the reflection of an analysis that has its root in the academic portion of the masters and which came to be developed throughout these last final months. Thus, an approach to an experience is proposed, narrative in nature, that translates into a reflection on art, modern and contemporary, its institutional approach and its historic inscription, drawing at the same time a parallel between it and the logistical and structural practice of an exhibition’s preparation time frame.
Descrição
Palavras-chave
arte art historiografia historiography museu museum curadoria curating exposição exhibition
