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Os 24 Prelúdios para Piano de Ivan Karabits
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Existe uma relevante comunidade ucraniana radicada em Portugal cuja cultura é ainda pouco
conhecida. Ivan Karabits foi um dos maiores expoentes desta cultura, de grande influência na
Ucrânia do século XX. Nascido em 1945 na vila de Yalta, estudou Composição no
Conservatório Estatal de Kyiv, tendo sido aluno de Boris Lyatoschinsky, compositor de grande
relevância no panorama cultural ucraniano da época. Ivan Karabits distingue-se pela variedade
e riqueza da sua obra. A obra do compositor caracteriza-se pela utilização do folclore e ainda
pela incorporação de estilos do passado. O presente trabalho de investigação através de projeto
artístico, visou contribuir para o estudo e apresentação pública da sua obra para piano em
Portugal, através da interpretação pela mestranda, do ciclo de ‘24 Prelúdios para Piano’ do
compositor. Os ‘24 Prelúdios para Piano’, constituem um ciclo musical, composto por Karabits
entre 1964 e 1976. Cada prelúdio apresenta desafios pianísticos específicos, complexos e
interessantes. No trabalho, a mestranda analisa a literatura existente sobre o ciclo e propõe a
divisão da obra em quatro grupos: nascimento (que inclui os prelúdios nº 1 a 6); juventude
(prelúdios nº 7 a 12); maturidade (prelúdios nº 13 a 18) e conclusão da vida (prelúdios nº 19 a
24). A interpretação do ciclo dos ‘24 Prelúdios para Piano’ foi objeto de registo em suporte
áudio e vídeo, tendo sido produzidos um CD e um DVD, que inclui imagens das partituras
manuscritas do compositor, da Ucrânia e pinturas tratadas visualmente com a ajuda de
inteligência artificial. Adotou-se uma metodologia transdisciplinar no projeto, tendo sido
efetuada investigação documental sobre a música ucraniana, o compositor e a sua obra.
There is a significant Ukrainian community established in Portugal whose culture is still little known. Ivan Karabits was one of the greatest exponents of this culture, having a major influence in 20th century Ukraine. Born in 1945 in the town of Yalta, he studied Composition at the State Conservatory of Kyiv, where he was a student of Boris Lyatoshinsky, a composer of great importance in the Ukrainian cultural landscape of that time. Ivan Karabits is distinguished by the variety and richness of his work. The composer’s work is characterized by the use of folklore and the incorporation of styles from the past. The present artistic practicebased research aimed to contribute to the study and public presentation of his piano works in Portugal through the performance by the master's degree student of the cycle of 24 Preludes for Piano composed by Karabits. The 24 Preludes for Piano constitute a musical cycle composed between 1964 and 1976. Each prelude presents specific, complex, and interesting pianistic challenges. In this work, the master's degree student analyzes the existing literature on the cycle and proposes dividing the work into four groups: birth (including preludes No. 1 to 6); youth (preludes No. 7 to 12); maturity (preludes No. 13 to 18); and conclusion of life (preludes No. 19 to 24). The interpretation of the cycle of 24 Preludes for Piano was recorded in audio and video format, resulting in the production of a CD and a DVD, which includes images of the composer’s handwritten scores, scenes from Ukraine, and paintings visually processed with the help of artificial intelligence. A transdisciplinary methodology was adopted in the project, involving documentary research on Ukrainian music, the composer, and his works.
There is a significant Ukrainian community established in Portugal whose culture is still little known. Ivan Karabits was one of the greatest exponents of this culture, having a major influence in 20th century Ukraine. Born in 1945 in the town of Yalta, he studied Composition at the State Conservatory of Kyiv, where he was a student of Boris Lyatoshinsky, a composer of great importance in the Ukrainian cultural landscape of that time. Ivan Karabits is distinguished by the variety and richness of his work. The composer’s work is characterized by the use of folklore and the incorporation of styles from the past. The present artistic practicebased research aimed to contribute to the study and public presentation of his piano works in Portugal through the performance by the master's degree student of the cycle of 24 Preludes for Piano composed by Karabits. The 24 Preludes for Piano constitute a musical cycle composed between 1964 and 1976. Each prelude presents specific, complex, and interesting pianistic challenges. In this work, the master's degree student analyzes the existing literature on the cycle and proposes dividing the work into four groups: birth (including preludes No. 1 to 6); youth (preludes No. 7 to 12); maturity (preludes No. 13 to 18); and conclusion of life (preludes No. 19 to 24). The interpretation of the cycle of 24 Preludes for Piano was recorded in audio and video format, resulting in the production of a CD and a DVD, which includes images of the composer’s handwritten scores, scenes from Ukraine, and paintings visually processed with the help of artificial intelligence. A transdisciplinary methodology was adopted in the project, involving documentary research on Ukrainian music, the composer, and his works.
Descrição
Palavras-chave
Ivan Karabits Prelúdios para Piano Música Ucraniana Interpretação Musical Caracterização Estilística Piano Preludes Ukrainian Music Musical Interpretation Characterization of Musical Style