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Reflexão acerca da Proposta de Reintegração Cromática para a Pintura Dois Santos e uma Santa, séc. XVI, Escola Portuguesa
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Resumo(s)
O presente estudo aborda o tema da reintegração cromática em pintura de cavalete,
com ênfase na técnica de reintegração mimética escolhida para a obra Dois Santos e Uma Santa.
Esta pintura é a óleo sobre madeira do século XVI, pertencente à coleção do Museu Nacional
de Arte Antiga e encontrava-se num estado razoável de conservação, com a superfície pictó-
rica quase totalmente repintada e com problemas estruturais no suporte. O repinte geral do
céu, constituiu um grande desafio levantando questões sobre a sua remoção. Este estudo des-
taca-se por abordar as questões materiais e imateriais da obra, permitindo uma reflexão crítica
sobre o seu estado ideal, que melhor informasse a discussão acerca da abordagem a seguir.
Adicionalmente foi possível enriquecer o estudo na sua vertente prática pela realização de
mock-ups, criando familiaridade com a reintegração mimética e diferentes materiais. Com
isto, foi possível obter exemplos práticos que auxiliem conservadores-restauradores na esco-
lha dos materiais, nesta etapa de conservação. Surgiu ainda a oportunidade de intervir noutro
caso de estudo utilizando a mesma técnica. Apesar de ainda não ter sido possível reintegrar
cromaticamente a pintura Dois Santos e Uma Santa, foi possível comparar a bibliografia especí-
fica do tema e o que é realizado na prática.
The present study addresses the theme of chromatic reintegration in easel painting, with emphasis on the technique of mimetic reintegration chosen for the work Two Saint and One Saint. This painting is in oil on wood from the sixteenth century, belonging to the collection of the Museu Nacional de Arte Antiga and was in a reasonable state of conservation, with the pictorial surface almost completely repainted and with structural problems in the support. The general repainting of the sky was a major challenge, raising questions about its removal. This study stands out for addressing the material and immaterial issues of the work, allowing a critical reflection on its ideal state, which would better inform the discussion about the ap- proach to follow. Additionally, it was possible to enrich the study in its practical aspect by making mock-ups, creating familiarity with mimetic reintegration and different materials. With this, it was possible to obtain practical examples that help conservators-restorers in the choice of materials in this stage of conservation. There was also the opportunity to intervene in another case study using the same technique. Although it has not yet been possible to chro- matically reintegrate the painting Two Saints and One Saint, it was possible to compare between the specific bibliography of the theme and what is done in practice.
The present study addresses the theme of chromatic reintegration in easel painting, with emphasis on the technique of mimetic reintegration chosen for the work Two Saint and One Saint. This painting is in oil on wood from the sixteenth century, belonging to the collection of the Museu Nacional de Arte Antiga and was in a reasonable state of conservation, with the pictorial surface almost completely repainted and with structural problems in the support. The general repainting of the sky was a major challenge, raising questions about its removal. This study stands out for addressing the material and immaterial issues of the work, allowing a critical reflection on its ideal state, which would better inform the discussion about the ap- proach to follow. Additionally, it was possible to enrich the study in its practical aspect by making mock-ups, creating familiarity with mimetic reintegration and different materials. With this, it was possible to obtain practical examples that help conservators-restorers in the choice of materials in this stage of conservation. There was also the opportunity to intervene in another case study using the same technique. Although it has not yet been possible to chro- matically reintegrate the painting Two Saints and One Saint, it was possible to compare between the specific bibliography of the theme and what is done in practice.
Descrição
Palavras-chave
Reintegração Cromática Reintegração Mimética Pintura a Óleo Valores Repinte