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Publicação
Necessidade, Engenho e Oportunidade: As Alterações Digitais e o Renascimento de uma Canção Política no Circuito de MúsicaIndependente de Lisboa Durante os "Anos da Troika"
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Orientador(es)
Resumo(s)
O tema central deste estudo diz respeito ao renascimento de uma canção política no circuito
de música independente de Lisboa, durante e após o período da crise da Troika.
A questão de investigação passa por apurar porquê e de que forma aconteceu, combinando o
aprofundamento de três perspectivas fundamentais: o contexto económico e social da crise, da sua origem às suas consequências; a criação do circuito em análise, fruto da revolução digital; e a conjuntura que combina estas duas realidades e que foi traduzida por alguns artistas, através da sua música.
A sua metodologia desdobra-se entre a observação participante — de onde surge o interesse pelo tema, assim como uma visão próxima do seu objecto; a análise historiográfica em relação
íntima com uma pesquisa bibliográfica que estruturam o conhecimento e o discurso; a pesquisa estatística que, pontualmente, confere um fundamento quantitativo; e, por fim, a análise às entrevistas efetuadas a alguns intervenientes (três artistas e um promotor) e a alguns temas e letras de canções na tentativa de sedimentar a pesquisa e respectivos resultados.
As alterações digitais permitiram a criação de núcleos de produção e edição independente,
como o circuito lisboeta. Esta realidade e a situação social agudizada pela crise financeira —
também ela exponencialmente mediatizada — funcionaram como gatilho para a politização de uma nova geração da canção portuguesa.
Este trabalho propõe testar este fenómeno, demonstrando progressiva e objectivamente a relação causal entre os diferentes momentos e atores, assim como alicerçar futuras investigações que partam, tanto deste período, como de eventos relacionados.
The central theme of this study concerns the revival of a political song in Lisbon's independent music circuit, during and after the period of the Troika crisis. The research question involves determining why and how it happened, combining the deepening of three fundamental perspectives: the economic and social context of the crisis, from its origin to its consequences; the creation of the circuit under analysis, as a result of the digital revolution; and the situation that combines these two realities that was translated by some artists, through their music. Its methodology unfolds between participant observation — where interest in the topic arises, as well as a close view of its object; historiographic analysis in close relationship with bibliographic research that structures knowledge and discourse; statistical research that, occasionally, provides a quantitative basis; and, finally, the analysis of interviews carried out with some actors (three artists and a promoter) and with some themes and song lyrics in an attempt to consolidate the research and respective results. Digital changes allowed the creation of independent production and publishing centers, such as the Lisbon circuit. This reality and the social situation heightened by the financial crisis — also exponentially mediatized — acted as a trigger for the politicization of a new generation of Portuguese music. This work proposes to test this phenomenon, progressively and objectively demonstrating the causal relationship between different moments and actors, as well as providing the basis for future investigations that depart from both this period and related events.
The central theme of this study concerns the revival of a political song in Lisbon's independent music circuit, during and after the period of the Troika crisis. The research question involves determining why and how it happened, combining the deepening of three fundamental perspectives: the economic and social context of the crisis, from its origin to its consequences; the creation of the circuit under analysis, as a result of the digital revolution; and the situation that combines these two realities that was translated by some artists, through their music. Its methodology unfolds between participant observation — where interest in the topic arises, as well as a close view of its object; historiographic analysis in close relationship with bibliographic research that structures knowledge and discourse; statistical research that, occasionally, provides a quantitative basis; and, finally, the analysis of interviews carried out with some actors (three artists and a promoter) and with some themes and song lyrics in an attempt to consolidate the research and respective results. Digital changes allowed the creation of independent production and publishing centers, such as the Lisbon circuit. This reality and the social situation heightened by the financial crisis — also exponentially mediatized — acted as a trigger for the politicization of a new generation of Portuguese music. This work proposes to test this phenomenon, progressively and objectively demonstrating the causal relationship between different moments and actors, as well as providing the basis for future investigations that depart from both this period and related events.
Descrição
Palavras-chave
Crise Financeira Artivismo Cena Musical Alterações Digitais Indústria Musical Canção Política Financial Crisis Musical Scene Artivism Digital Changes Music Industry Political Song