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A Aparente Despolitização do Cinema Contemporâneo
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A dissertação pretende estudar aprofundadamente a ligação entre o cinema e a política no Cinema Contemporâneo. Se a política está presente em todos os aspetos da vida humana, também o cinema é político e demonstra as problemáticas atuais do dia-a-dia, quer seja essa a intenção explícita dos realizadores ou não. Se, por um lado, existe um polo do cinema que pretende transmitir mensagens ou reflexões políticas, demonstrando ao espectador as suas complexidades inerentes; por outro, existe um polo do cinema, sem ambições artísticas ou políticas, que busca o entretenimento. Por sua vez, é o polo que se destaca na indústria cinematográfica, devido aos lucros abismais.
Posto isto, o objectivo a que esta dissertação se propõe é questionar se, actualmente, está em curso ou não um processo de alheamento às questões políticas, no cinema contemporâneo, ou se, pelo contrário, este fenómeno de despolitização será aparente. Assim, pretende-se analisar de que forma a política está presente no cinema, como pode ser caracterizado o género do cinema político, e de que modo está integrado o cinema político no cinema contemporâneo.
The dissertation aims to study in depth the connection between cinema and politics in Contemporary Cinema. If politics is present in all aspects of human life, cinema is also political and demonstrates current day-to-day issues, whether that is the explicit intention of the filmmakers or not. If, on the one hand, there is a side of cinema that aims to convey political messages or reflections, demonstrating to the viewer their inherent complexities; on the other, there is another side of cinema, without any artistic or political ambitions, that seeks entertainment. Therefore, it is this side that stands out in the film industry, due to its abysmal profits. Having said this, the intention of this dissertation is to question whether, currently, there is a process of alienation from political issues underway in contemporary cinema, or whether, on the contrary, if this phenomenon of depoliticization is only apparent. Thus, the purpose is to analyze how politics is present in cinema, how the genre of political cinema can be characterized, and how political cinema is integrated into contemporary cinema.
The dissertation aims to study in depth the connection between cinema and politics in Contemporary Cinema. If politics is present in all aspects of human life, cinema is also political and demonstrates current day-to-day issues, whether that is the explicit intention of the filmmakers or not. If, on the one hand, there is a side of cinema that aims to convey political messages or reflections, demonstrating to the viewer their inherent complexities; on the other, there is another side of cinema, without any artistic or political ambitions, that seeks entertainment. Therefore, it is this side that stands out in the film industry, due to its abysmal profits. Having said this, the intention of this dissertation is to question whether, currently, there is a process of alienation from political issues underway in contemporary cinema, or whether, on the contrary, if this phenomenon of depoliticization is only apparent. Thus, the purpose is to analyze how politics is present in cinema, how the genre of political cinema can be characterized, and how political cinema is integrated into contemporary cinema.
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Cinema Cinema contemporâneo Política Arte Contemporay cinema Politics Art