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Criação de um instrumento virtual a partir da gravação da viola braguesa: Sampling como método de divulgação do instrumento tradicional português
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Com este projeto propusemos criar um instrumental virtual baseado num instrumento tradicional português, nomeadamente a viola braguesa, através de técnicas e métodos de sampling. O principal objetivo foi documentar os passos necessários para criar um instrumento virtual deste tipo, demonstrando a sua eficácia na simulação de um instrumento musical e permitindo a aplicação de metodologia semelhante a outros instrumentos. A principal motivação por trás deste projeto foi a constatação do número reduzido de instrumentos virtuais baseados em instrumentos tradicionais portugueses. Julgámos que o compositor moderno, que opera maioritariamente no meio digital usando instrumentos virtuais, iria beneficiar de acesso ao diverso número de instrumentos que fazem parte da herança cultural portuguesa. Da mesma forma, uma maior presença de instrumentos tradicionais portugueses no mercado de instrumentos virtuais poderia ajudar na sua divulgação internacional, primeiramente, através do seu uso em mais composições. A execução do nosso projeto consistiu num processo de pré-produção, em que foi elaborada a base teórica que fundamentou a aplicação técnica e se definiu o escopo do instrumento virtual, de produção, em que foi gravada a viola braguesa e de pósprodução, em que as gravações foram editadas e usadas para criar o instrumento virtual em si a partir do sampler Kontakt. Analisámos o resultante instrumento virtual e confirmámos a eficácia da metodologia empregue e o seu potencial na virtualização de outros instrumentos tradicionais.
In this project, we set out to create a virtual instrument based on the traditional Portuguese viola braguesa, using sampling techniques and methods. The main objective was to document the necessary steps to create a virtual instrument of this type, demonstrating its effectiveness in simulating a musical instrument, and allowing for the application of similar methodology to other instruments. The primary motivation behind this project was the limited number of virtual instruments based on traditional Portuguese instruments. We believed that modern composers, who predominantly work in digital environments using virtual instruments, would benefit from access to the diverse range of instruments that are part of Portuguese cultural heritage. Additionally, a greater presence of traditional Portuguese instruments in the virtual instrument market could contribute to their international recognition, initially through their use in more compositions. The execution of our project consisted of a pre-production phase, where the theoretical foundation was established, and the scope of the virtual instrument was defined. The production phase involved recording the viola braguesa, while the post-production phase focused on editing the recordings and using them to create the virtual instrument with the Kontakt sampler. The outcome was a virtual instrument with excellent sound quality, though with a limited scope. This confirmed the effectiveness of the methodology employed and its potential for virtualizing other instruments.
In this project, we set out to create a virtual instrument based on the traditional Portuguese viola braguesa, using sampling techniques and methods. The main objective was to document the necessary steps to create a virtual instrument of this type, demonstrating its effectiveness in simulating a musical instrument, and allowing for the application of similar methodology to other instruments. The primary motivation behind this project was the limited number of virtual instruments based on traditional Portuguese instruments. We believed that modern composers, who predominantly work in digital environments using virtual instruments, would benefit from access to the diverse range of instruments that are part of Portuguese cultural heritage. Additionally, a greater presence of traditional Portuguese instruments in the virtual instrument market could contribute to their international recognition, initially through their use in more compositions. The execution of our project consisted of a pre-production phase, where the theoretical foundation was established, and the scope of the virtual instrument was defined. The production phase involved recording the viola braguesa, while the post-production phase focused on editing the recordings and using them to create the virtual instrument with the Kontakt sampler. The outcome was a virtual instrument with excellent sound quality, though with a limited scope. This confirmed the effectiveness of the methodology employed and its potential for virtualizing other instruments.
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Amostragem Livraria de amostras Instrumento tradicional português Instrumento virtual Viola Braguesa Sampling Sample library Virtual instrument Traditional Portuguese instrument