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Isto ouve-se? Madeira, Bicho e Microprocessadores: Um estudo sobre a criação e utilização de Dispositivos Sonoros
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O tema desta investigação é a ideia de criação sonora e composição musical através da invenção e adaptação de dispositivos sonoros. Por adaptação, referimo-nos à sua construção, em termos materiais e de produção sonora. A sua construção é feita através de materiais e componentes eléctricos e electrónicos que, por vezes, são recuperados de outros equipamentos e por outras, comprados individualmente. Aprofundamos a abordagem DIY Electronics e reflectimos sobre as marcas e comunidades que incentivam à sua prática.
Como resultado, construímos dois dispositivos que produzem som e nos quais, o centro de comandos, responsável pela produção sonora, é construído através de componentes electrónicos assentes, no caso desta investigação, em suportes orgânicos como madeira e vidro. Com estes dispositivos fizemos uma composição musical, resultado das nossas experimentações sonoras e musicais. Considerámos estes dispositivos pertinentes no âmbito das artes musicais porque demonstram, uma das, muitas formas de produzir material musical e sonoro. Queremos mostrar como estes dispositivos podem integrar composições musicais, utilizando-os como instrumentos. Tudo isto se materializou através de um projecto artístico descrito neste relatório de investigação. Dentro do âmbito das artes musicais, quisemos concretizar, na prática, as nossas próprias ideias de instrumentos e sons. Demonstrando como as plataformas comerciais DIY Electronics,
autores de circuit-bending, e comunidades de open-source, de carácter profissional ou educativo, influenciam a prática criativa e autodidacta de som e música.
The theme of this investigation is the idea of sound creation and musical composition through the creation and adaptation of sound devices. By adaptation, we refer to its construction, in terms of materials and sound production. Its construction is made by using materials and electrical and electronic components that are sometimes recovered from other equipment and sometimes purchased individually. We delve deeper into the DIY Electronics approach and reflect on the brands and communities that encourage its practice. As a result, we built two devices that produce sound and in which, the command center, responsible for sound production, is built using electronic components fixated on organic supports such as wood and glass. With these devices we composed a musical piece that was the result of sonic and musical experiments. We considered these devices relevant in the scope of musical arts because they demonstrate, one of, many ways of producing musical and sound material. We want to show how these devices can integrate musical compositions, using them as instruments. All of this is materialized through an artistic project described in this research report. Within the scope of musical arts, we wanted to implement, in practice, our own ideas for instruments and sounds. Demonstrating how commercial DIY Electronics platforms, circuit-bending authors, and open-source communities, of a professional or educational nature, influence the creative and self-taught practice of sound and music.
The theme of this investigation is the idea of sound creation and musical composition through the creation and adaptation of sound devices. By adaptation, we refer to its construction, in terms of materials and sound production. Its construction is made by using materials and electrical and electronic components that are sometimes recovered from other equipment and sometimes purchased individually. We delve deeper into the DIY Electronics approach and reflect on the brands and communities that encourage its practice. As a result, we built two devices that produce sound and in which, the command center, responsible for sound production, is built using electronic components fixated on organic supports such as wood and glass. With these devices we composed a musical piece that was the result of sonic and musical experiments. We considered these devices relevant in the scope of musical arts because they demonstrate, one of, many ways of producing musical and sound material. We want to show how these devices can integrate musical compositions, using them as instruments. All of this is materialized through an artistic project described in this research report. Within the scope of musical arts, we wanted to implement, in practice, our own ideas for instruments and sounds. Demonstrating how commercial DIY Electronics platforms, circuit-bending authors, and open-source communities, of a professional or educational nature, influence the creative and self-taught practice of sound and music.
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Palavras-chave
Microprocessadores Som Arte sonora Música electroacústica Faz-tu-mesmo Microprocessors Electroacustic music Sound art Sound Do-it-yourself