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O presente relatório pretende refletir sobre a autoria na ficção televisiva e esta análise estará diretamente associada à figura do argumentista. O guionismo passa neste momento por uma crise de reconhecimento no audiovisual e o intuito deste trabalho será compreender a origem desta tendência e o modo como se aplica à televisão portuguesa. Esta reflexão irá enquadrar-se com as atividades desenvolvidas no decorrer do estágio profissional compreendido entre os meses de Outubro e Dezembro de 2024 na produtora SP Televisão.
The following document is intended to be an analysis about authorship on television fiction and how that’s correlated to the position of the screenwriter. Screenwriting has been in a recognition and in an identity crisis for some time now. The focus of this work is to find out why and how that came to be, as well as to understand how it applies to Portuguese television. This paper is encouraged by everything I’ve learned while doing an internship for a portuguese production company, SP Televisão, between Octobre and Decembre of 2024.
The following document is intended to be an analysis about authorship on television fiction and how that’s correlated to the position of the screenwriter. Screenwriting has been in a recognition and in an identity crisis for some time now. The focus of this work is to find out why and how that came to be, as well as to understand how it applies to Portuguese television. This paper is encouraged by everything I’ve learned while doing an internship for a portuguese production company, SP Televisão, between Octobre and Decembre of 2024.
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Guionismo SP Televisão Televisão Produtora Screenwriting Television Production company
