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Performance Drag – Interlocuções entre Brasil e Portugal nas manifestações do corpo queer
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A presente dissertação procurou investigar a arte Drag em Portugal e no Brasil. Com ênfoque na Teoria Queer procurou-se compreender de que forma esta manifestação artística configura uma potencialidade “revolucionária” e quais são as capacidades disruptivas do género enquanto constructo social. Para tanto, realizou-se, numa primeira fase, uma revisão de literatura sobre a Teoria Queer e sobre o contexto histórico da arte Drag nestes panoramas geográficos. Numa segunda fase foram passados questionários para artistas Drag atuantes nos dois países da pesquisa, buscando perceber as potencialidades supracitadas através de uma análise temática de conteúdo. Toda a investigação é atravessada também pela metodologia autoetnográfica, que assume a vivência da pesquisadora, enquanto artista Drag, como elemento essencial do desenvolvimento do trabalho.
This dissertation sought to investigate drag art in Portugal and Brazil. With an emphasis on Queer Theory, it sought to understand how this artistic manifestation configures a "revolutionary" potential and what the disruptive capacities of gender are as a social construct. To this end, a literature review was carried out on Queer Theory and the historical context of Drag art in these geographical contexts. In a second phase, questionnaires were sent to drag artists working in the two countries in question, in an attempt to understand the aforementioned potentialities through a thematic content analysis. The entire investigation is also crossed by the autoethnographic methodology, which assumes the researcher's experience as a Drag artist as an essential elem ent in the development of the work.
This dissertation sought to investigate drag art in Portugal and Brazil. With an emphasis on Queer Theory, it sought to understand how this artistic manifestation configures a "revolutionary" potential and what the disruptive capacities of gender are as a social construct. To this end, a literature review was carried out on Queer Theory and the historical context of Drag art in these geographical contexts. In a second phase, questionnaires were sent to drag artists working in the two countries in question, in an attempt to understand the aforementioned potentialities through a thematic content analysis. The entire investigation is also crossed by the autoethnographic methodology, which assumes the researcher's experience as a Drag artist as an essential elem ent in the development of the work.
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Arte drag Teoria queer Drag queens Autoetnografia Drag art Queer theory Drag queen Autoethnography