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Maria Velho da Costa, Veredas que se tornam labirintos em: Irene ou o contrato social e Myra
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Em Irene ou o contrato social e Myra, as personagens, desamparas, deambulam por caminhos emaranhados, descontinuados, pelo seu próprio desamparo. Por vezes, param. Pedem um final em angústia. Desafiam a sorte das sortes que o destino lança. Tanto e tão pouco do tempo que se leva para se chegar a lado nenhum, por caminhos, veredas e carreiros que as mantêm nas suas encruzilhadas. MVC, através das personagens desta obra desperta a sociedade para com os que descuidadamente ensombrece, ainda que muitas vezes sem se dar conta. Dá vida aos constrangimentos sociais sobre o que permanece e nos separa num espaço híbrido de fuga, rejeição e também de violência. O abandono, a rejeição e a solidão, vai assim deixando marcas indeléveis dos que ficam atrás das nossas costas. Para os que vivem nesses contrastes sociais de espaços fechados à espera de uma reintegração no país de acolhimento, o tempo, do pouco que têm, umas vezes passa devagar e outras vem sempre atrasado. Os outros vêm-no sem enxergar, a luz, dos que caminham na procura de serem iguais, mostra-se sempre ténue. A intertextualidade em ambas obras de MVC está presente, nos seres que se movimentam com semelhanças no interior das suas narrativas, recebidos, tratados e despojados, num mar de indiferença, experimentam os limites da condição humana. Existem interrogações sobre a vida, a morte e a hostilidade: uma equação periclitante de afetos, onde o ser humano é confrontado a repensar-se. A ideia da morte persegue vidas que encontram nela a esperança, confrontos nessa estreita margem de veredas que se transformam em peregrinação de súplica de vidas enjeitadas. O feminino realça a paisagem da palavra, os jovens constroem sonhos destruídos à nascença. E quando tudo parece encaminhar-se para algum bem-estar, sobeja a doença ou a violência assassina, destruindo o periclitante nicho de felicidade que julgavam ter. É o corpo humano sujeito ao terramoto da sombra da sua própria existência.
Falta luz, luz que enfeitice novos sonhos nas dúvidas que sobejam, nessa continuidade de vida que mais se assemelha a uma espécie de pão-ázimo – sobras do dia anterior.
In Irene or the Social Contract and Myra , the characters, forsaken, wander through entangled, discontinuous paths, driven by their own helplessness. At times, they pause. They plead for an ending in anguish. They challenge the fate that destiny throws at them. So much and yet so little time is spent going nowhere, along paths, trails, and tracks th at keep them at their crossroads. Through these characters, MVC awakens society to those it inadvertently shadows, often without realizing it. She breathes life into the social constraints that persist and divide us in a hybrid space of escape, rejection, and violence. Abandonment, rejection, and loneliness leave indelible marks on those left behind our backs. For those living in the social contrasts of closed spaces, awaiting reintegration into the host country, time, what little they have, sometimes passe s slowly, while for others, it always comes too late. Others perceive it without truly seeing it, the light of those who walk in search of equality always appears faint. Intertextuality in both of MVC's works is present, as beings with similarities move wi thin their narratives, received, treated, and stripped in a sea of indifference, experiencing the limits of the human condition. Questions about life, death, and hostility abound a perilous equation of emotions where human beings are forced to rethink them selves. The idea of death haunts lives that find hope in it, confronting conflicts on those narrow paths that become a pilgrimage of abandoned lives. The feminine accentuates the landscape of words, and young people construct dreams destroyed at birth. And just when everything seems to be heading towards some well being, disease or murderous violence remains, destroying the precarious niche of happiness they thought they had. It is the human body subjected to the earthquake of the shadow of its own existence. There is a lack of light, a light that could enchant new dreams in the lingering doubts, in this continuity of life that resembles unleavened bread, remnants from the previous day.
In Irene or the Social Contract and Myra , the characters, forsaken, wander through entangled, discontinuous paths, driven by their own helplessness. At times, they pause. They plead for an ending in anguish. They challenge the fate that destiny throws at them. So much and yet so little time is spent going nowhere, along paths, trails, and tracks th at keep them at their crossroads. Through these characters, MVC awakens society to those it inadvertently shadows, often without realizing it. She breathes life into the social constraints that persist and divide us in a hybrid space of escape, rejection, and violence. Abandonment, rejection, and loneliness leave indelible marks on those left behind our backs. For those living in the social contrasts of closed spaces, awaiting reintegration into the host country, time, what little they have, sometimes passe s slowly, while for others, it always comes too late. Others perceive it without truly seeing it, the light of those who walk in search of equality always appears faint. Intertextuality in both of MVC's works is present, as beings with similarities move wi thin their narratives, received, treated, and stripped in a sea of indifference, experiencing the limits of the human condition. Questions about life, death, and hostility abound a perilous equation of emotions where human beings are forced to rethink them selves. The idea of death haunts lives that find hope in it, confronting conflicts on those narrow paths that become a pilgrimage of abandoned lives. The feminine accentuates the landscape of words, and young people construct dreams destroyed at birth. And just when everything seems to be heading towards some well being, disease or murderous violence remains, destroying the precarious niche of happiness they thought they had. It is the human body subjected to the earthquake of the shadow of its own existence. There is a lack of light, a light that could enchant new dreams in the lingering doubts, in this continuity of life that resembles unleavened bread, remnants from the previous day.
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Palavras-chave
Multiculturalidade Raças Sociedade Migração Violência Morte Multiculturalism Race Society Migration Violence Death