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Publicação
O Cinema como Produtor e Reprodutor de Críticas Sociais: Estudo de Caso sobre a presença da Angela Davis no LEFFEST 22´ - Lisbon & Sintra Film Festival
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Resumo(s)
A presente investigação tem como principal objetivo a compreensão da dimensão formativa e educativa do cinema enquanto produtor e reprodutor de críticas sociais, tendo como estudo de caso a 16ª edição do festival LEFFEST - Lisbon & Sintra Film Festival, em particular a participação da ativista e filósofa norte-americana Angela Davis e da Professora Gina Dent. À luz dos conceitos de Representação, Representação Mediática, Representação Social, Enquadramento e Interseccionalidade, realizaram-se entrevistas a um grupo considerado de referência, constituído por sete personalidades selecionadas pela sua ligação às temáticas do cinema, ativismo e comunicação. Recorremos à análise qualitativa das entrevistas com o objetivo de apurar como o cinema pode contribuir para incentivar o debate público e a discussão de questões sociais consideradas fraturantes em Portugal, reflexo da emergente campanha nacional de direitos humanos, protagonizada por grupos racializados. Neste estudo aplicaram-se os conhecimentos teóricos adquiridos ao longo da formação académica, complementando-os e confrontando-os com a realidade laboral através da observação, análise e execução práticas durante o período de estágio curricular na Leopardo Filmes.
The main purpose of this research is to understand the formative and educational dimension of cinema as a producer of social criticism using the 16th edition of the LEFFEST - Lisbon & Sintra Film Festival and the participation of the American activist and philosopher Angela Davis and scholar Gina Dent as our case study. In the light of concepts such as Representation, Media Representation, Social Representation, Framing and Intersectionality, we conducted interviews with a group considered to be of reference, consisting of seven personalities selected for their connection to the thematic of cinema, activism and communication. We used the qualitative analysis of the interviews to determine how can cinema contribute to the encouragement of public debate and the discussion of unsettling social issues in Portugal, reflection of the emerging national campaign for human rights, led mainly by racialized groups. With this study, the theoretical knowledge acquired throughout the academic training was applied, complementing it, and confronting it with the work reality through observation, analysis, and pratical execution during the curricular internship period at Leopardo Filmes.
The main purpose of this research is to understand the formative and educational dimension of cinema as a producer of social criticism using the 16th edition of the LEFFEST - Lisbon & Sintra Film Festival and the participation of the American activist and philosopher Angela Davis and scholar Gina Dent as our case study. In the light of concepts such as Representation, Media Representation, Social Representation, Framing and Intersectionality, we conducted interviews with a group considered to be of reference, consisting of seven personalities selected for their connection to the thematic of cinema, activism and communication. We used the qualitative analysis of the interviews to determine how can cinema contribute to the encouragement of public debate and the discussion of unsettling social issues in Portugal, reflection of the emerging national campaign for human rights, led mainly by racialized groups. With this study, the theoretical knowledge acquired throughout the academic training was applied, complementing it, and confronting it with the work reality through observation, analysis, and pratical execution during the curricular internship period at Leopardo Filmes.
Descrição
Versão corrigida e melhorada após a sua defesa pública
Palavras-chave
LEFFEST Angela Davis Representação mediática Cinema Interseccionalidade Crítica social Mediatic representation Intersectionality Social criticism