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Pessoa à lupa de Botto: de biógrafo-intérprete entusiasta a crítico demolidor. Proposta de análise e edição de textos bottianos sobre o poeta dos heterónimos
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Reorientando prioridades críticas, invertendo e divergindo da perspetiva mais comum de abordagem, pretende mostrar-se como papéis maioritariamente inéditos do espólio de António Botto servem de fonte para melhor conhecer o próprio e valorizar o debate em torno de Fernando Pessoa, estimulando novos cruzamentos, interpretações e leituras. A exemplo do profícuo e promissor caminho trilhado por Anna Klobucka, viram-se os holofotes para o esforço bottiano de escalpelização de aspetos relacionados ou relacionáveis com a vida e obra do poeta dos heterónimos. Cultor permanente de paradoxos, dando pleno vazão à sua índole camaleónica e veia contraditória, Botto, por entre dezenas de páginas, exprimiu opiniões flagrante e flutuantemente díspares a respeito de Pessoa, surpreendendo a disfonia e versatilidade de pontos de vista. Mostrando exuberantemente como a mão que afaga é a mesma que apedreja, tanto envergou a capa de biógrafo-amigo-entusiasta, manifestando estima intelectual e afeição pelo companheiro, como a de comentador verrinoso, ensaiando uma tão ardilosa quanto truculenta campanha de menorização do legado pessoano e de instrumentalização do fenómeno-Pessoa. Para um conhecimento mais próximo e articulado das massas documentais compulsadas, bipartiu-se a dissertação: de um lado, uma proposta de análise temático-conteudística de textos atribuídos ou atribuíveis a Botto alusivos ao percurso artístico-histórico de Pessoa, onde se expõem os pareceres e julgamentos antagónicos e se aventam hipóteses de ordem biográfica, literária e psicossociológica para a heterogeneidade de tipos de abordagem adotados; do outro, destinada a um auditório vasto e plural, uma proposta de edição desses textos, pensada como um quase-livro, através do qual se dão a conhecer papéis inéditos ou de circulação restrita não contemplados na generalidade das edições mais recentes entre nós publicadas. São as múltiplas e dissonantes imagens relativas ao universo poético-existencial pessoano extraíveis de um conjunto selecto de textos de Botto, que aqui se analisam e editam, o foco do projeto.
Reorienting critical priorities, reversing and diverging from the most common perspective of approach, the aim is to show how the mostly unpublished texts from António Botto's archive serve as a source for a better understanding of himself and enrich the debate around Fernando Pessoa, stimulating new crossings, interpretations and readings. Following the fruitful and promising path trodden by Anna Klobucka, the spotlight has been turned on Botto's efforts to scrutinise aspects related or relatable to the life and work of the “poet of heteronyms”. A permanent cultivator of paradoxes, giving full vent to his chameleon-like nature and contradictory vein, Botto, between dozens of pages, expressed flagrantly disparate opinions about Pessoa, with a surprising dysphony and versatility of his points of view. Showing how the hand that strokes is the same that punishes, he wore the mantle of biographer-friend-enthusiast, expressing intellectual esteem and affection for his companion, as well as that of verrucous commentator, rehearsing a campaign as cunning as it is truculent to belittle the Pessoa legacy and instrumentalise the Pessoa phenomenon. For a closer and more articulate understanding of the documentary masses compiled, the dissertation was divided into two parts: on the one hand, a proposal for a thematic-contextual analysis of texts attributed or attributable to Botto allusive to the artistic-historical career of Pessoa, where the antagonistic opinions are exposed and hypotheses of biographical, literary and psychosociological order are put forward for the heterogeneity of the approaches adopted; on the other, aimed at a vast and plural audience, a proposal to publish these texts, conceived as a quasi-book, through which unpublished or restrictedcirculation papers that are not included in the most recent editions published are made known. The project's focus is on the multiple and dissonant sides of the poetic-existential universe of Pessoa, extracted from a select set of texts by Botto, which are analysed and edited here
Reorienting critical priorities, reversing and diverging from the most common perspective of approach, the aim is to show how the mostly unpublished texts from António Botto's archive serve as a source for a better understanding of himself and enrich the debate around Fernando Pessoa, stimulating new crossings, interpretations and readings. Following the fruitful and promising path trodden by Anna Klobucka, the spotlight has been turned on Botto's efforts to scrutinise aspects related or relatable to the life and work of the “poet of heteronyms”. A permanent cultivator of paradoxes, giving full vent to his chameleon-like nature and contradictory vein, Botto, between dozens of pages, expressed flagrantly disparate opinions about Pessoa, with a surprising dysphony and versatility of his points of view. Showing how the hand that strokes is the same that punishes, he wore the mantle of biographer-friend-enthusiast, expressing intellectual esteem and affection for his companion, as well as that of verrucous commentator, rehearsing a campaign as cunning as it is truculent to belittle the Pessoa legacy and instrumentalise the Pessoa phenomenon. For a closer and more articulate understanding of the documentary masses compiled, the dissertation was divided into two parts: on the one hand, a proposal for a thematic-contextual analysis of texts attributed or attributable to Botto allusive to the artistic-historical career of Pessoa, where the antagonistic opinions are exposed and hypotheses of biographical, literary and psychosociological order are put forward for the heterogeneity of the approaches adopted; on the other, aimed at a vast and plural audience, a proposal to publish these texts, conceived as a quasi-book, through which unpublished or restrictedcirculation papers that are not included in the most recent editions published are made known. The project's focus is on the multiple and dissonant sides of the poetic-existential universe of Pessoa, extracted from a select set of texts by Botto, which are analysed and edited here
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Botto Pessoa Espólio Inéditos Biografia Contrapessoanismo Análise Edição Archive Unpublished texts Biography Anti-Pessoa Analysis Editing