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A separação do humano ocidental da sua identidade animal e a tarefa da arte para estabelecer esta conexão
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Esta dissertação visa primeiro responder quando e porque é que o humano ocidental se separou do seu lado animalesco. Através de diferentes autores, filósofos e artistas, esta dissertação explora como o ser humano perdeu a ligação com a sua monstruosidade. Há uma urgência em criar esta conexão, para assim existir um equilíbrio na nossa identidade total, construída através da racionalidade, divindade e animalidade. Para que esta conexão exista, esta dissertação argumenta que a arte pode ser um meio facilitador para despertar consciências sobre esta separação e para nos guiar para reencontrarmos a conexão do aspecto animal e monstro no ser humano, numa era emergente de pensamento ecológico num planeta que hoje está danificado.
This dissertation firstly aims to answer when and why human beings in Western civilization became separated from their animalistic aspect. Through different writers, philosophers and artists, this thesis explores how human beings lost a connection with their monstrosity. There is an urgency in making this connection, so that there is a balance in our total identity, which is constituted through rationality, divinity and animality. For this connection to exist, this dissertation then argues that art can be a facilitating medium to raise awareness about this separation, and guide us towards refinding and forging the connection of the animalistic aspect and monster in the human being in an emerging age of ecological thinking on a damaged planet today.
This dissertation firstly aims to answer when and why human beings in Western civilization became separated from their animalistic aspect. Through different writers, philosophers and artists, this thesis explores how human beings lost a connection with their monstrosity. There is an urgency in making this connection, so that there is a balance in our total identity, which is constituted through rationality, divinity and animality. For this connection to exist, this dissertation then argues that art can be a facilitating medium to raise awareness about this separation, and guide us towards refinding and forging the connection of the animalistic aspect and monster in the human being in an emerging age of ecological thinking on a damaged planet today.
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Palavras-chave
Separação Monstro Pecado Ecologia Arte Separation Monster Sin Ecology Art