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Visita virtual cultural
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A presente dissertação é a componente textual discriminatória das características e objetivo de uma aplicação digital denominada Visita Virtual Cultural. Há de facto uma aplicação digital finalizada e anexada a este trabalho de projeto, ou seja, este trabalho de projeto escusa-se de ser simples proposta ou planejamento de construção da aplicação. Por assim ser, não se escusou de incluir nestas linhas pormenores dos caminhos que levaram a conclusão de que esta aplicação de facto é relevante e pertinente à História da Arte. As pesquisas onde procurou-se perceber as articulações entre os termos cultura, património, digitalização, memória, identidade, preservação e divulgação patrimonial, edifícios e construções relevantes à cultura portuguesa e à cidade de Lisboa foram concentradas, diluídas e pulverizadas no corpo textual desta componente. Isto justifica-se pelo facto de que o objetivo desta dissertação é apresentar a aplicação em sua localização, construção, desenvolvimento e solução em relação objetiva com a História da Arte e não ser um estudo acerca do papel destes mesmos termos em relação a esta disciplina. Os densos trabalhos de pesquisas se ocuparam em responder questões como: qual o modo mais profissional, tecnológico, eficaz, expedito, economicamente viável e sobretudo autêntico para se representar digitalmente o património cultural em sua totalidade axiológica na forma de edifícios, construções ou espaços? O que de facto solucionaria esta aplicação em comparação com as demais aplicações e sítios na web que já se ocupam e propõem a realizar tal feito? Quais ferramentas utilizar? Quais materiais ou objetos culturais incluir e de que modo? Portanto, é possível unilateralmente por esta componente verificar a pertinência e relevância de tal aplicação digital em sua solução objetiva para a problemática de ser mediadora/comunicadora de cultura, porém é altamente recomendável a utilização da aplicação digital anexada para um entendimento/experiência mais completa.
The present dissertation is the discriminatory textual component of the characteristics and purpose of a digital application called Cultural Virtual Visit, which is the “tangible” object or component of this Project Work for the conclusion of the Master's course in Art History. It is in fact a digital application that is finished and attached to this project work, that is, it is not a simple proposal or planning. As such, it was not excused from including in these lines details of the paths that led to the conclusion that this application is in fact relevant and pertinent to the History of Art. The research that sought to understand the articulations between the terms culture, heritage, digitalization, memory, identity, preservation and dissemination of heritage, buildings and constructions relevant to Portuguese culture and the city of Lisbon were concentrated, diluted and pulverized in the textual body of this component. This is justified by the fact that the objective of this dissertation is to present the application in its location, construction, development and solution in an objective relationship with the History of Art and not to be a study about the role of these terms in relation to this discipline. The dense research works were concerned with answering questions such as: what is the most professional, technological, effective, expeditious, economically viable and above all authentic way to digitally represent cultural heritage in its axiological totality in the form of buildings, constructions or spaces? What would this application actually solve in comparison to other applications and websites that are already busy and propose to accomplish this feat? What tools to use? What materials or cultural objects to include and in what way? Therefore, it is possible for this component to unilaterally verify the pertinence and relevance of such a digital application in its objective solution to the problem of being a mediator/communicator of culture, but it is highly recommended to use the attached digital application for an understanding and for a more complete.
The present dissertation is the discriminatory textual component of the characteristics and purpose of a digital application called Cultural Virtual Visit, which is the “tangible” object or component of this Project Work for the conclusion of the Master's course in Art History. It is in fact a digital application that is finished and attached to this project work, that is, it is not a simple proposal or planning. As such, it was not excused from including in these lines details of the paths that led to the conclusion that this application is in fact relevant and pertinent to the History of Art. The research that sought to understand the articulations between the terms culture, heritage, digitalization, memory, identity, preservation and dissemination of heritage, buildings and constructions relevant to Portuguese culture and the city of Lisbon were concentrated, diluted and pulverized in the textual body of this component. This is justified by the fact that the objective of this dissertation is to present the application in its location, construction, development and solution in an objective relationship with the History of Art and not to be a study about the role of these terms in relation to this discipline. The dense research works were concerned with answering questions such as: what is the most professional, technological, effective, expeditious, economically viable and above all authentic way to digitally represent cultural heritage in its axiological totality in the form of buildings, constructions or spaces? What would this application actually solve in comparison to other applications and websites that are already busy and propose to accomplish this feat? What tools to use? What materials or cultural objects to include and in what way? Therefore, it is possible for this component to unilaterally verify the pertinence and relevance of such a digital application in its objective solution to the problem of being a mediator/communicator of culture, but it is highly recommended to use the attached digital application for an understanding and for a more complete.
Descrição
Palavras-chave
Património Cultural Digitalização Cultura Edifícios Patrimoniais Preservação Divulgação Memória Identidade Arquitetura Digital Visita Virtual Fotografia Cultural Heritage Digitization Culture Heritage Buildings Preservation Disclosure Memory Identity Digital architecture Virtual Visit Photography 360 degree photography Application Virtual tourism