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A Missa Piquena de Marcos Portugal: Estudo das Fontes e Edição Crítica
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Marcos António da Fonseca Portugal (1762-1830) foi um dos compositores luso-brasileiros mais prolíficos e influentes de sempre. A sua produção dramática não tem precedentes na História da Música luso-brasileira e a sua produção religiosa, que acompanhou toda a sua carreira e perdurou até ao séc. XX, inclui algumas das peças mais paradigmáticas do universo musical luso-brasileiro. Entre elas, encontra-se a Missa Piquena (MarP 01.15), cuja disseminação em Portugal foi singular, no que concerne à produção religiosa do compositor. A obra possui 25 espécimes e quatro versões, distribuídas por vários arquivos dispersos pelo território nacional. Até à elaboração do presente estudo, toda a informação existente sobre a Missa Piquena estava patente no catálogo temático da obra religiosa de Marcos Portugal: composição de origem e data incertas, contabilizando três versões, duas delas com instrumentação alargada. A pesquisa, realizada ao longo de aproximadamente um ano, abrangeu o levantamento e recolha fotográfica de todos os espécimes da obra. A sua análise comparativa permitiu determinar o ano provável da composição, a instituição para a qual foi possivelmente produzida, a datação e registo da sua evolução cronológica, os vários intervenientes na elaboração dos espécimes e, ainda, a existência de uma quarta versão. O trabalho de investigação culminou na realização de uma edição crítica da primeira versão da Missa Piquena (MarP 01.15, V1), com a fixação do texto original em notação moderna, para facilitar a posterior execução e estudo da obra.
Marcos António da Fonseca Portugal (1762-1830) was one of the most prolific and influential Luso-Brazilian composers ever. His dramatic production has no precedents in the History of Luso-Brazilian Music and his religious production, which accompanied his entire career and endured until the 20th century, includes some of the most paradigmatic pieces of the Luso-Brazilian music universe. Among these, we find the Missa Piquena (MarP 01.15), whose dissemination in Portugal was unique, as far as the composer’s sacred production is concerned. This work has 25 specimens and four versions, distributed among several archives scattered throughout Portugal. At the beginning of this study, the only information available regarding the Missa Piquena was to be found in the thematic catalogue of Marcos Portugal’s sacred oeuvre: a composition of uncertain origin and date, totalizing three versions, two of them with extended instrumentation. The research, which lasted almost one year, included the survey and photographic collection of all specimens of this work. Their comparative analysis allowed determining the probable year of composition, the institution for which it was possibly composed, the dating and recording of its chronological evolution, the various participants in the elaboration of the manuscripts, and even the existence of a fourth version. Thisstudy culminated in the elaboration of a critical edition of the first version of Missa Piquena (MarP 01.15, V1), with the transcription of the original text into modern notation, in order to facilitate the work’s subsequent performance and analysis.
Marcos António da Fonseca Portugal (1762-1830) was one of the most prolific and influential Luso-Brazilian composers ever. His dramatic production has no precedents in the History of Luso-Brazilian Music and his religious production, which accompanied his entire career and endured until the 20th century, includes some of the most paradigmatic pieces of the Luso-Brazilian music universe. Among these, we find the Missa Piquena (MarP 01.15), whose dissemination in Portugal was unique, as far as the composer’s sacred production is concerned. This work has 25 specimens and four versions, distributed among several archives scattered throughout Portugal. At the beginning of this study, the only information available regarding the Missa Piquena was to be found in the thematic catalogue of Marcos Portugal’s sacred oeuvre: a composition of uncertain origin and date, totalizing three versions, two of them with extended instrumentation. The research, which lasted almost one year, included the survey and photographic collection of all specimens of this work. Their comparative analysis allowed determining the probable year of composition, the institution for which it was possibly composed, the dating and recording of its chronological evolution, the various participants in the elaboration of the manuscripts, and even the existence of a fourth version. Thisstudy culminated in the elaboration of a critical edition of the first version of Missa Piquena (MarP 01.15, V1), with the transcription of the original text into modern notation, in order to facilitate the work’s subsequent performance and analysis.
Descrição
Palavras-chave
Marcos Portugal Música litúrgica Séc. XVIII Séc. XIX Filologia musical Edições críticas Crítica de fontes Sacred Music (18th and 19th centuries) Music Philology Critical Editions Source Criticism