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Electrecord, cultural policy and the phonographic industry in socialist romania (1965-1989)
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This dissertation explores the relationship between music, cultural policy, and the phonographic industry in communist Romania between 1965 and 1989. The main object is the state-owned record company Electrecord, the only of its kind during the analyzed period. On the one hand, I aim to identify the production phases, from the initial selection of artists and repertoire to be released, to the distribution and selling of phonograms, and analyze which political decisions influenced this process and to what extent. On the other hand, I will consider which musical genres were encouraged or censored by the company and on what grounds. With its 88-year history, Electrecord became a crucial institution to understand the history of recorded music in Romania, playing a fundamental role in many critical moments of social, economic, and political transformation. The company's participation in the state's cultural politics also offers an interesting case study on the relationship between music and nation-building but also on the mediation between economic, political and cultural aspects in the phonogram production process.
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Music industry Nation-building Cultural policy Phonogram Romania