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Frankfurt 2021: A Sinfonia Urbana no Século XXI
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Este relatório de projeto analisa, na primeira parte, o nascimento e o contexto no qual o género de cinema “Sinfonia Urbana” se desenvolveu. São analisados três filmes, que na ótica do autor, são fundamentais na compreensão deste género: Berlim: Sinfonia de uma Grande Cidade (1927) de Walter Ruttmann, O Homem com uma Máquina de Filmar (1929) de Dziga Vertov e Douro, Faina Fluvial (1931) de Manuel de Oliveira. Na segunda parte, são apresentados conceitos e problemáticas exploradas durante a préprodução do filme produzido no contexto deste projeto, Frankfurt 2022, desde a utilização do preto e branco à música escolhida para a sinfonia ou o porquê de ser Frankfurt sobre o Meno a cidade escolhida para a filmagem. É também apresentado o filme realizado, numa estrutura linear, exibindo planos do filme, acompanhados da explicação do porquê daquele plano e daquela montagem no processo de execução do filme.
This project report analyses, in the first part, the birth and context in which the “urban symphony” cinema genre developed. Three films are analysed, which, in the author's view, are fundamental in the understanding of this genre: Berlin: Symphony of a Great City (1927) by Walter Ruttmann, The Man with a Movie Camera (1929) by Dziga Vertov and Douro, Faina Fluvial (1931) by Manuel de Oliveira. In the second part, concepts and issues explored during the pre-production of the film concepted for this project, Frankfurt 2022 are presented, from the use of black and white to the music chosen for the movie or why Frankfurt on the Main was the city chosen for filming. It is also presented the film made that was made, in a linear structure, showing shots of the film, accompanied by an explanation of the reason for that shot and that montage behind the process of making the film.
This project report analyses, in the first part, the birth and context in which the “urban symphony” cinema genre developed. Three films are analysed, which, in the author's view, are fundamental in the understanding of this genre: Berlin: Symphony of a Great City (1927) by Walter Ruttmann, The Man with a Movie Camera (1929) by Dziga Vertov and Douro, Faina Fluvial (1931) by Manuel de Oliveira. In the second part, concepts and issues explored during the pre-production of the film concepted for this project, Frankfurt 2022 are presented, from the use of black and white to the music chosen for the movie or why Frankfurt on the Main was the city chosen for filming. It is also presented the film made that was made, in a linear structure, showing shots of the film, accompanied by an explanation of the reason for that shot and that montage behind the process of making the film.
Descrição
Anexo para consulta na Biblioteca Mário Sottomayor Cardia
Palavras-chave
Sinfonia Urbano Documentário Frankfurt Urban Documentary Symphony