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Novas estéticas da Pólis: a cidade-media
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O objetivo geral desta investigação é aferir se, hoje, podemos falar de uma mediação do sensível, em particular, na cidade. Para atestar essa hipótese, foram identificados os seguintes objetivos operacionais: a) revisão do empreendimento estético kantiano, b) reflexão sobre o sensível no dispositivo computacional, ativando as noções de “pós-digital” e “novas estéticas”, c) revisão da relação entre media e cidade, à luz dos quadros conceptuais de Walter Benjamin, Marshall McLuhan, Friedrich Kittler e Lev Manovich, d) levantamento e análise de configurações de possíveis mediações do sensível em Aveiro, Águeda e Viseu e e) proposta da cidade-media como um possível “tecno-sensorium” pós-digital. Refletiu-se sobre a inteligência proclamada pelas estratégias municipais dos três estudos de caso, com o objetivo de a alargar a algumas das propostas estéticas kantianas cujo contributo ao acolhimento e reconciliação de antagonismos se procurou recuperar. Mais do que a proposta de indicação de um melhor ou pior caminho na construção da cidade, optou-se por reencontrar na cidade a sua pluralidade, buscando pistas para uma participação estética do cidadão nos vários mundos que a compõem. É demonstrado como o dispositivo computacional, no qual os outros media convergem, sendo repropositados, sinaliza uma nova gestão das passagens do sensível / ininteligível. Confirma-se ser ao nível da interface que o computador se constitui enquanto media, tornando credível – sensivelmente – aquilo que simula. É explicitado que não está em causa uma liquefação do real na lógica informacional, mas afloramentos de diferentes regimes do real que reclamam o exercício de todo o sistema percetivo do sujeito. Se, num primeiro momento, o modelo de interface adotado pelo computador foi o visual display, esta dissertação orientou-se para a proposta de que também a cidade, hoje, se constitui como uma interface em experimentação pelas configurações computacionais. Recuperando um certo programa para o exercício da vida sensível potenciado pelo computador e proposto por Marshall McLuhan, foram apontados exemplos que demonstram que, além da “inteligência eficiente”, está em jogo uma nova relação entre os nossos sentidos, na experiência da cidade convergida com o dispositivo computacional (cidade-media). Foi demonstrado, também, o possível valor exemplar da arte, na experimentação de ambientes urbanos que, além de animar a sensibilidade, promovem uma consciência do dinamismo das faculdades humanas. A pertinência deste estudo prende-se com um aprofundamento da lógica da “cidade inteligente”, abordando a cidade-media fora dos quadros tecno-positivista (a cidade como o pináculo do progresso), apocalíptico/romântico (a cidade como um fim ou inferno) e antropocêntrico (a cidade senciente).
The general objective of this research is to assess whether today we can speak of a mediation of the sensitive, in particular, in the city. To confirm this hypothesis, the following operational objectives were identified: a) review of the Kantian aesthetic enterprise, b) reflection on the sensitive in the computational device, activating the notions of "post-digital" and "new aesthetics", c) review of the relationship between media and the city, in light of the conceptual frameworks of Walter Benjamin, Marshall McLuhan, Friedrich Kittler and Lev Manovich, d) survey and analysis of configurations of possible mediations of the sensitive in Aveiro, Águeda and Viseu and e) proposal of the media-city as a possible post-digital “techno-sensorium”. We have reflected on the intelligence proclaimed by the municipal strategies of the three case studies, with the aim of extending it to some of the Kantian aesthetic proposals whose contribution to the reception and reconciliation of antagonisms we sought to recover. More than a proposal to indicate a better or worse path in the construction of the city, our approach aimed at rediscovering its plurality, seeking clues for an aesthetic participation of the citizen in the diverse worlds that compose it. The dissertation demonstrates how the computational device, in which the other media converge, being repurposed, signals a new management of the sensitive/unintelligible passages. It is confirmed that it is at the interface level that the computer constitutes itself as a media, making what it simulates sensibly credible. It is explained that what is at stake is not a liquefaction of the real in the informational logic, but outcrops of different regimes of the real that demand the exercise of the entire perceptive system of the subject. If at first the interface model adopted by the computer was the visual display, this dissertation was oriented towards the proposal that the city, today, also constitutes an interface in experimentation by computational configurations. Recovering a certain program for the exercise of sensitive life enhanced by the computer and proposed by Marshall McLuhan, examples were pointed out demonstrating that, in addition to “efficient intelligence”, a new relationship is at play between our senses, in the experience of the city converged with the computational device (media-city). The possible exemplary value of art was also demonstrated, in the experimentation of urban environments that, in addition to stimulating sensitivity, promote an awareness of the dynamism of human faculties. The relevance of this study is linked to a deepening of the logic of the “smart city”, approaching the media-city outside the techno-positivist (the city as the pinnacle of progress), apocalyptic/romantic (the city as an end or hell) and anthropocentric (the sentient city) frameworks
The general objective of this research is to assess whether today we can speak of a mediation of the sensitive, in particular, in the city. To confirm this hypothesis, the following operational objectives were identified: a) review of the Kantian aesthetic enterprise, b) reflection on the sensitive in the computational device, activating the notions of "post-digital" and "new aesthetics", c) review of the relationship between media and the city, in light of the conceptual frameworks of Walter Benjamin, Marshall McLuhan, Friedrich Kittler and Lev Manovich, d) survey and analysis of configurations of possible mediations of the sensitive in Aveiro, Águeda and Viseu and e) proposal of the media-city as a possible post-digital “techno-sensorium”. We have reflected on the intelligence proclaimed by the municipal strategies of the three case studies, with the aim of extending it to some of the Kantian aesthetic proposals whose contribution to the reception and reconciliation of antagonisms we sought to recover. More than a proposal to indicate a better or worse path in the construction of the city, our approach aimed at rediscovering its plurality, seeking clues for an aesthetic participation of the citizen in the diverse worlds that compose it. The dissertation demonstrates how the computational device, in which the other media converge, being repurposed, signals a new management of the sensitive/unintelligible passages. It is confirmed that it is at the interface level that the computer constitutes itself as a media, making what it simulates sensibly credible. It is explained that what is at stake is not a liquefaction of the real in the informational logic, but outcrops of different regimes of the real that demand the exercise of the entire perceptive system of the subject. If at first the interface model adopted by the computer was the visual display, this dissertation was oriented towards the proposal that the city, today, also constitutes an interface in experimentation by computational configurations. Recovering a certain program for the exercise of sensitive life enhanced by the computer and proposed by Marshall McLuhan, examples were pointed out demonstrating that, in addition to “efficient intelligence”, a new relationship is at play between our senses, in the experience of the city converged with the computational device (media-city). The possible exemplary value of art was also demonstrated, in the experimentation of urban environments that, in addition to stimulating sensitivity, promote an awareness of the dynamism of human faculties. The relevance of this study is linked to a deepening of the logic of the “smart city”, approaching the media-city outside the techno-positivist (the city as the pinnacle of progress), apocalyptic/romantic (the city as an end or hell) and anthropocentric (the sentient city) frameworks
Descrição
Palavras-chave
Cidade-media Estética kantiana Reflexividade Dispositivo computacional Interface Sensibilidade Media-city Kantian aesthetics Reflexivity Computing device Sensitivity