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A produção da diferença. A construção de discursos identitários brasileiros no circuito expositivo institucional português - Adriana Varejão e Rosângela Rennó
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Partindo do trabalho das artistas brasileiras, Adriana Varejão (1964-) e Rosângela Rennó (1962-), esta dissertação visa problematizar a produção de discursos identitários na arte brasileira contemporânea, nomeadamente através de exposições das artistas apresentadas no circuito institucional português. Esta investigação procura demonstrar os caminhos diversificados que a arte brasileira tem trilhado ao longo dos séculos XX e XXI, através da procura de construção de uma arte brasileira que se mantenha em articulação com o contexto da sua sociedade, mas também que assuma uma projeção internacional determinante. Através de percursos diferenciados, ambas as artistas mergulham em conceitos como identidade e memória, e articulam noções de trauma coletivo, ao mesmo tempo que recuperam conceitos intimamente ligados com o passado da história da arte brasileira e da história recente do país, assim como o legado colonial. Através de uma exposição que explora o contexto da arte brasileira do século XX, de um ponto de vista coletivo, e mostras focadas no trabalho de cada artista, esta investigação procura evidenciar as temáticas caras à produção artística de ambas, interligadas com as discussões teóricas atuais, situadas à volta dos estudos pós-coloniais, ao mesmo tempo que procura ilustrar de que forma a arte brasileira do último século se mostrou atenta à diversificação das narrativas culturais e à descentralização do campo da história da arte.
Through the works of brazilian artists Adriana Varejão (1964-) and Rosângela Rennó (1962-), this dissertation aims to problematize the discussion about the production of identity discourses in the brazilian contemporary art scene, namely through the artists’ exhibitions presented in the portuguese institutional circuit. This investigation aims to delve into the multiple and diversified ways in which brazilian art has been developing in the 20th and 21st centuries, while also trying to establish an artistic context which still bears a connection to its society, while maintaining a significant international projection. Through different paths, both artists delve into important concepts such as identity and memory, while articulating notions of collective trauma, and reminiscing over ideas which are deeply connected with the past of brazilian art history and the country’s recent history and its colonial legacy. While exploring an exhibition that focuses on the context of 20th century brazilian art, from a collective point of view, and other exhibitions that showcase the works of both artists, this dissertation tries to highlight the themes in their artistic productions, connecting them with contemporary theoretical discussions articulated around post-colonial studies, while showing how brazilian art from the past century was always concerned with diversifying cultural narratives and decentralizing the field of art history.
Through the works of brazilian artists Adriana Varejão (1964-) and Rosângela Rennó (1962-), this dissertation aims to problematize the discussion about the production of identity discourses in the brazilian contemporary art scene, namely through the artists’ exhibitions presented in the portuguese institutional circuit. This investigation aims to delve into the multiple and diversified ways in which brazilian art has been developing in the 20th and 21st centuries, while also trying to establish an artistic context which still bears a connection to its society, while maintaining a significant international projection. Through different paths, both artists delve into important concepts such as identity and memory, while articulating notions of collective trauma, and reminiscing over ideas which are deeply connected with the past of brazilian art history and the country’s recent history and its colonial legacy. While exploring an exhibition that focuses on the context of 20th century brazilian art, from a collective point of view, and other exhibitions that showcase the works of both artists, this dissertation tries to highlight the themes in their artistic productions, connecting them with contemporary theoretical discussions articulated around post-colonial studies, while showing how brazilian art from the past century was always concerned with diversifying cultural narratives and decentralizing the field of art history.
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Palavras-chave
Arte contemporânea Arte brasileira Exposições em Portugal Identidade Memória Contemporary art Brazilian art Exhibitions in Portugal Identity Memory